Women would be disproportionately affected by the privatization of social security. It is one of the most important safety nets for American women in old age, or in times of disability, to insure financial income for their families.
One line I'd draw would be on raising the eligibility age for Social Security and Medicare. It sounds fair, since people are living longer. But it isn't. Lower income workers are the ones who find it hardest to keep working after 65. And they'll get ...
The full retirement age is 67 and the lifespan is 80, so when they first conceived Social Security, they didn't think they were going to be paying benefits for 13-15 years. That's one of the reasons why this pyramid scheme isn't working.
Poverty is everyone's problem. It cuts across any line you can name: age, race, social, geographic or religious. Whether you are black or white; rich, middle-class or poor, we are ALL touched by poverty.
Stuff like Buena Vista Social Club and Fela Kuti were quite a main thing to my childhood. As soon as I reached an age where I realized that Fela was singing in English, when I got past his accent, I loved the rawness of it, and the funk and the rhyth...
The thing is, I really can't relate to anyone my own age. Not in a superior way - an inferior way, if anything. Socially, I have no idea what my friends are talking about. I don't listen to any new music. I feel very secluded.
Every member of Congress is sent to Washington to represent all of their constituents, regardless of their age, race, social standing, or sexual orientation, and I believe that America should be a place where everybody can dream, and nobody is left o...
The public has lost faith in the ability of Social Security and Medicare to provide for old age. They've lost faith in the banking system and in conventional medical insurance.
It is bad policy to regulate everything... where things may better regulate themselves and can be better promoted by private exertions; but it is no less bad policy to let those things alone which can only be promoted by interfering social power.
I'm not interested in dating. I like being with my own best friend, me. Certain women, particularly older women, cannot believe I like going to a social event by myself. But I do.
My early childhood prepared me to be a social psychologist. I grew up in a South Bronx ghetto in a very poor family. From Sicilian origin, I was the first person in my family to complete high school, let alone go to college.
I don't particularly enjoy standing alone and recording my own voice or my own stuff. It's sometimes fun to do for demos and stuff, but I really enjoy the social act of recording records, because writing it is so lonely. And it has to be.
I think that art is still a site for resistance and for the telling of various stories, for validating certain subjectivities we normally overlook. I'm trying to be affective, to suggest changes, and to resist what I feel are the tyrannies of social ...
Let's talk of a system that transforms all the social organisms into a work of art, in which the entire process of work is included... something in which the principle of production and consumption takes on a form of quality. It's a Gigantic project.
I believe that my art gets across the point that I'm in this morality theater trying to help the underdog, and I'm speaking socially here, showing concern and making psychological and philosophical statements for the underdog.
Life doesn't just happen; it's constructed through the history of power. And that's something I am interested in and so is the art world: a world that's trying to engage socially, with a leftist slant, to work out how we got here.
For an American, there's no automatic place where people love the art of poetry. There's not a social class that considers poetry its property the way in some countries there's a snob value to the art.
My grandmother lived to be 100 years old. Her grandmother was a slave, yet she was a college graduate in the Spellman class of 1917. She taught art for 50 years and she saved her Social Security checks for her children's education.
Socialism provides safety in numbers. And that’s OK, if you don’t mind trading your name—your identity and individualism—for a number.
That girl is just plain crazy," Chey said as she looped her arm through Arkadia's. 'I swear when they were handing out social skills she was still in the line for shoes.
We want a vernacular in art. No mere verbal or formal agreement, or dead level of uniformity but that comprehensive and harmonizing unity with individual variety which can be developed among people politically and socially free.
