The Open Skies issue is something that's ongoing and we understand that there are issues in Australia that need to be sorted out. It's something that I think over time there's an opportunity for us and we'll work on that in a progressive way.
I think the people who have really followed my career from the time I was seven years old can see my steady progress and see the type of person and athlete I am.
The time is long overdue to stop looking for progress through racial or ethnic leaders. Such leaders have too many incentives to promote polarizing attitudes and actions that are counterproductive for minorities and disastrous for the country.
I mean, comedy's hard. If you go back and look at the first season of 'Seinfeld,' it's a work in progress and that's what happens. It just takes time for people to figure each other out, and figure out timing, and to develop creatively with the write...
Trust me, the only real way to understand 'Chic' is in highfalutin terms. Our chord progressions were based on European modal melodies. I made those early 'Chic' records to impress my jazz friends.
Vincent: No, there's truly nothing remarkable about the progress of Jerome Morrow... Vincent: Except that I am *not* Jerome Morrow.
[Of Pauline's homosexuality] Doctor Bennett: Chances are she'll grow out of it. If not... well, medical science is progressing in leaps and bounds. There could be a breakthrough at any time!
Sir Wilfrid: [getting progressively more agitated] The question is whether you were lying then or are you lying now... or whether in fact you are a chronic and habitual LIAR!
Congress is so beholden to the money that any solution in the general interest will be frustrated and subverted by the corporate interests who feel they will be damaged by progress, fair play and justice.
Any acceleration constitutes progress, Miss Glory. Nature had no understanding of the modern rate of work. From a technical standpoint the whole of childhood is pure nonsense. Simply wasted time. An untenable waste of time.
Every step in the progress of this study has tended to obliterate the technical barriers by which logicians have sought to separate the inquiries relating to the several parts of man's nature.
I am getting frustrated by the fact that we have been out of office for eight years. I desperately want to lead the Conservative Party to make quicker progress back into power.
I was trained as a fine artist. I went to a progressive public school in Pennsylvania that developed these talents, but I was never able to apply to a decent college because I had no math, no science - I was allowed to just paint all day and write.
The indigenous peoples never had, and still do not have, the place that they should have occupied in the progress and benefits of science and technology, although they represented an important basis for this development.
If I had permitted my failures, or what seemed to me at the time a lack of success, to discourage me I cannot see any way in which I would ever have made progress.
I believe there should be no arbitrary date set for withdrawal and yet no permanent, unending deployment. No cut and run, yet measured progress in helping a people who want to be free without an illusion of overnight success.
The only way you get economic progress, real standards of living moving higher, is to have the savings of the society continuously invested in the cutting-edge technologies. And those technologies which are obsolescent get dropped out.
Every year the progress of advanced capitalist society makes our population consist of more and more isolates. This is because of the infrastructure of the economy, especially electronic communications.
To try to teach ignoring technology is to ignore the progress that we have made over the last century. If school is preparation for the real world - a real world that is increasingly technology-driven - then to ignore technology is to become obsolete...
When it comes to electronic music, I started listening to a lot of Daft Punk, way before I knew what house music was, and then progressed into a lot of Steve Angello, Eric Prydz, Axwell, Sebastian Ingrosso, and Laidback Luke.
It's like a piece of music; you never lose sight of the theme. Each scene pushes off to the next like music builds and you can almost hear the next chord progression, so it has a strict structure, which is very compelling.
