Shalika: Why is it every time you talk about a female you gotta say bitch, ho, or hootchie? Doughboy: 'Cause that's what you are.
Jason Bourne: Who are you? Are you Treadstone? Conklin: Am I Treadstone? Me? What the hell are you talking about? [to Nicky] Conklin: He's lost it!
Young Doc: Nice talking to you. Maybe we'll bump into each other sometime again in the future. Older Doc: Or in the past.
Da Fino, Private Snoop: I'm a brother shamus! The Dude: Brother Seamus? Like an Irish monk? Da Fino, Private Snoop: What the fuck are you talking about?
[first lines] Singers: [TV commercial jingle] Central Services: We do the work, you do the pleasure. TV commercial pitchman: Hi, there. I want to talk to you about ducts.
Philip Marlowe: Let me do the talking, angel. I don't know yet what I'm going to tell them. It'll be pretty close to the truth.
I don't really like to talk about other people. I think people who have things going on in their lives, I think they have enough to deal with, they don't need, you know, Abigail Breslin weighing in on their lives.
I'm very interested in silence. And, more importantly, in what happens when people aren't talking on stage. I'm interested in letting actors play and do things between the lines. And in slowing everything down.
Chefs are fond of hyperbole, so they can certainly talk that way. But on the whole, I think they probably have a more open mind than most people.
I tried talking to a psychologist once. Two minutes in, I said, 'Ciao!' Never again. There's no way, no way, I'd continue! I couldn't buy into a single thing the guy was saying.
For the first case I did with Octone, 360 deals were not at all being talked about. And then for the follow-up case, it was the focus. I wanted to see how things were changing and what the new challenges were.
I miss Betty madly. I loved her. Whenever people talk about her, I get really nostalgic. There are parts of her still with me; I played her for four years and, of course, the lines get blurred.
I was in Nashville, Tennessee, and I saw - we talk about crumbling bridges - I saw one, concrete literally falling onto the underpass below, threatening auto traffic.
I knew going in that being a single parent would be one of the toughest jobs I'd ever have. I'd been a talk-show host, actor, comic, and on and on, but this gig was going to be my defining moment.
People talk about the pain of defeat, but I think defeat has a lot of value. I think the wound of victory can be even more damaging than defeat. Very few people really know how to win.
Through Hamas, Iran has been able to buy itself a seat on the table in talking about the Palestinian issue. And, as a result, through Hamas it does play a role in the issue of the Palestinians, as strange as that should sound.
If you catch me coming out of a film, when I'm emotionally involved, I can tell you at that moment why I like it - but to talk about it years later is not logical to me.
Class can 'walk with kings and keep its virtue and talk with crowds and keep the common touch.' Everyone is comfortable with the person who has class because that person is comfortable with himself.
When I became a standup comic, my hero, one of them, was Richard Pryor, and you know, I think that comedians, like, comedians talk about hacks, and what a hack is, is someone who does stuff that's not original.
When I get ready to talk to people, I spend two thirds of the time thinking what they want to hear and one third thinking about what I want to say.
I was socially awkward for many years. I stuttered, stammered, talked rubbish. I never take up invites to parties, and I've been invited to very glamorous things, but I never go.
