While there have been terrific advances in the state of technology around heuristics, behavior blocking, and things like that, technology is only a part of the approach to solving the problem with the more important aspect involving putting the right...
It is impossible to know what fate will bring. If you love to write or paint, you will keep on writing or painting, and things will either work out or not, and you just have to keep being in the process.
I fall in love with every film while I'm doing it. I fall in love with the directors, I fall in love with the process. I don't think I could do it otherwise.
I love make-up and the process of transforming my face for a night out, but I definitely don't believe in wearing it every day. I think it's really important to be comfortable with the way you look without it.
You may not be able to help whom you are attracted to, but you can choose to whom you love and how. That is to say that love is a commitment that your heart and your mind make. It is an active and ever-evolving process, a conscious choice that takes ...
I see my studio like a laboratory, where I work like an investigator - it's almost forensic. I love the discovery process in painting.
True love doesn't happen right away; it's an ever-growing process. It develops after you've gone through many ups and downs, when you've suffered together, cried together, laughed together.
One of the things I love about acting is that I can enter into these other people's lives. But going back to being me at the end of the day is very important, too. That process of remembering who I am.
On TV, the children can watch people murdering each other, which is a very unnatural thing, but they can't watch two people in the very natural process of making love. Now, really, that doesn't make any sense, does it?
People like music when they're in love, but they don't need it as much. You need music when you're missing someone or you're pining for someone or you're forgetting someone or you're trying to process what just happened.
Editing is now the easiest thing on earth to do, and all the things that evolved out of word processing - 'Oh, let's put that sentence there, let's get rid of this' - have become commonplace in films and music too.
I have to be involved. Whether it's me writing by myself or with other people, I definitely want to have my hand in the creative process. That's part of why I got into music in the first place.
My training in music and composition then led me to a kind of musical language process in which, for example, the sound of the words I play with has to expose their true meaning against their will so to speak.
I began the process of recording myself seriously in the fall of 1999. If I could finish an album of my own music, I would. Five years later I am happy to say I have.
During the writing process, I tend not to listen to too much music. I obviously wear a lot of influences on my sleeve, but if I was listening to too many records, I would turn into too much of a monkey.
I'm not interested in stirring anybody up through music. If you're going to stir people up, it has to be a thought process that has nothing to do with music. I see music as having to do with an internal thing. Something that stirs you up is external.
I think that listening to music or creating music is a spiritual undertaking, so the process of creating music, you know, involves listening. It involves sensitivity, it involves humility, you know, and then also it's something which is higher than w...
The music I make and the process of acting, for me, are both about trying to understand people and get inside what makes us tick. That's the main thing that excites me. Our sense of who we really are and what drives us.
I follow a simple formula when I compose. I ask myself, 'What would the audience want to hear?' and 'Why would they buy my CDs?' And the process of answering these questions through music follows. Sometimes, it works. Sometimes, it backfires.
Musicians are often asked to answer for an entire culture, or for an entire movement. It's a process of commodification. It becomes packaged and summarized in a word like 'emo' or 'grunge'... or 'folk music.' I think that's just language itself, tryi...
For me, writing a song, I sit down and the process doesn't really involve me thinking about the demographic of people I'm trying to hit or who I want to be able to relate to the song or what genre of music it falls under.
