In baseball, democracy shines its clearest. The only race that matters is the race to the bag. The creed is the rule book. And color, merely something to distinguish one team's uniform from another's.
The bad guys are the fun guys. The only people I have trouble with are the so-called normal types. Their language isn't very colorful, and they don't talk with any certain sound.
Even though I know who I am, musically I'm a blank canvas. I know what colors I want to use, but I don't know what picture I want to paint yet.
In America, there's a very long tradition of a comic strip that comes in newspapers, which is not true all over the world. To sell papers, they put color comics in.
If you want someone to feel warm, you dress them in a warm color and put a warm light on them and you get the picture. Sometimes, all that needs pushing a little bit to help tell the story.
I think it was just an opera. Now, you go to opera, you expect to see and hear what the opera is. So, it was Catfish Row. It was singers. Marvelous voices. It didn't make no difference what color they were.
Well, again working strictly to the film, where you had this lovely, lovely land of brightness and color. And everybody is smiling and happy and butterflies flitting around and it was that kind of image that, it was like a dream world, really.
I look out the window sometimes to seek the color of the shadows and the different greens in the trees, but when I get ready to paint I just close my eyes and imagine a scene.
I'd become sort of involved in things that were happening to people. No matter what color they be, whether they be Indians, or Negroes, the poor white person or anyone who was I thought more or less getting a bad shake.
My own perception of that is somewhat colored by where people ask my advice, which is still, of course, about changes to Python internals or at least standard libraries.
His Nana's prayers were moving toward his mother like little butterflies of thoughts wrapped in the most beautiful colors. Each prayer looked like a mini-rainbow.
I am against all kinds of oppression. Poverty, Sexism, racism, terrorism, classicism, imperialism, heterosexism, Cisgenderism, colorism, Ableism, and Nativism. Because it hinder human progression.
My characters have undergone the same process of simplification as the colors. Now that they have been simplified, they appear more human and alive than if they had been represented in all their details.
It would be much easier to just make black, brown and beige clothes. But I do not see the world in black and white and beige. I find colors incredibly important.
I remember being shocked when I came out from under the focusing cloth after a minute or two being submerged within that, at the startling green color of those ferns.
I just don't think there are any rules to color. You have a small space with no windows? Put lamps in there, make it dramatic, paint the ceiling black. Do something with it. If it's dark, accentuate the darkness.
It's an incredible dilemma to be an artist of color and to always be in denial about that, saying, 'I'm a choreographer first and then I'm black,' when in fact, that's not the case. I'm black first and then I'm also a choreographer.
My style is difficult to contain in a sentence; it's ever evolving. Generally I'm drawn to clean cuts and avoid patterns. I tend to choose structure and block colors, but these are all just loose guidelines.
If we take reason strictly, the perceiving of spiritual beauty and excellence no more belongs to reason than it belongs to the sense of feeling to perceive colors or to the power of seeing to perceive the sweetness of food.
Film is better than digital in every way. It has better contrast ratio, better blacks, and better color reproduction. It's a more organic image, which is more the way your eyes see.
I have loved corsets since I was small. When I was a child, my grandmother took me to an exhibition, and they had a corset on display. I loved the flesh color, the salmon satin, the lace.
