I have found that so many directors and producers in the room say nothing, and this can be deadly. It's very difficult to audition for comedy in the vacuum of a small room, but it's the only way most do it.
I want to put some effort into a bunch of different types of videos. I don't think I'm gonna do 'Man On The Street' messing with people, I don't think I'm gonna do over-the-top wacky comedy.
I can rap. Not openly in the world, but it's important that people know! I can rap for a very specific reason, which is that in college I was in an improv comedy group, and we did musical improv.
Comedy Central is what these young people are viewing. The network speaks to their audience, which is saying, 'Give me fast jokes. Give me party stories and party language.'
After 9/11, I changed a lot of the ways I viewed the world. I realized my comedy and my politics and my view of the world did not match. I had to start writing from my heart.
some stories are sudden like an inhale, some are overcoming like the tides, some, we name mistake, some are called lessons. Stories...tragic, romantic, comedy. We make them, they make us .
I didn't set out to be a villain in film. I'm a character actor, and if my first movie was a comedy, I could have played a geek just as well.
As a comic, it's anti-comedy to be known. I think a lot of comedic actors get lost in this world of Hollywood and all this stuff. They lose what brought them there in the first place. I'm very trepidatious about it.
Long before the idea of a writer's conference was a glimmer in anyone's eye, writers learned by reading the work of their predecessors. They studied meter with Ovid, plot construction with Homer, comedy with Aristophanes; they honed their prose style...
Some comedians tell nice jokes that you can tell to your kids. Some use bad words - they work 'blue.' If you don't want to hear a joke that's blue, you shouldn't go to a comedy club where a comedian who makes blue jokes is performing.
When I started acting, my whole focus and intention was to work as a stage actor in a company where you're asked to different roles - do a comedy, do a tragedy, etc. I haven't had any reservations about jumping from one type of genre to another.
I believe that everyone should be treated as an individual. Women should be treated equally in the right to vote, sure. But if I'm paying to see a comedy, then I just want to see who's funniest, with everyone treated equally.
Comedy can be, especially in a writer's room, really aggressive, kind of a very male-dominated room, and it would be hard for women. It's not a nurturing place. It's not like a lot of women are going to say, I can't wait to live that lifestyle and be...
I've been pitching a show of five female stand-up comedians through the generations, from Phyllis Diller to Amy Schumer, so when I got an e-mail asking me if I would participate in the Women in Comedy Festival, I was thrilled.
The books we love offer a sketch of a whole universe that we secretly inhabit, and in which we desire the other person to assume a role. One of the conditions of happy romantic compatibility is, if not to have read the same books, to have read at lea...
Waitress: [deleted scene: Cap, feeling disconnected from the world, sits at an outdoor cafe table sketching Stark Tower] Waiting on the big guy? Steve Rogers: Ma'am? Waitress: Iron Man. A lot of people eat here just to see him fly by. Steve Rogers: R...
You wake up on a winter morning and pull up the shade, and what lay there the evening before is no longer there--the sodden gray yard, the dog droppings, the tire tracks in the frozen mud, the broken lawn chair you forgot to take in last fall. All th...
Mum just laughed gleefully at his mounting frustration, like the villainous matriarch in a Roald Dahl story. I suspect a TV guide would describe her idea of comedy as 'dark', or, at very best, 'alternative'.
I was a product of a divorced family and I used humor as a weapon to combat sadness. I used comedy to make my mother laugh in light of the darkness that she faced, and to me it became a very powerful tool at a very young age, at six. I saw how therap...
Well Washington DC what are you going to do. They think the capitol steps are the state of the art in comedy. You try to drag them into the 20th century let alone the 21st and they refuse to come with you.
I started to do a study on how not to do stand-up comedy. Yeah, it's lonely work. You die, you die alone. It's you, the light, and the audience. If you win, you win big. If you lose, you lose big time.
