What's fun about comedy is you're pushing things a little further than you would in a drama; you're pushing reality a little bit more.
I'm really not feeling one way or the other with comedy or drama, I'm just sort of doing projects that I've been finding really fun to be a part of.
My mother was an actress in comedies. My father wrote scenarios. They were not opposed to my being an actor. I really didn't know what it meant, but I wanted to be one anyway.
I've turned arrogance into an artform, where it's so absurd that it becomes comedy. But I've never done anything to hurt anybody or steal from anyone.
Steve Martin said that philosophy is good for comedy because it screws up your thinking just enough, and I agree with that. Being forced to see life's metadata is good training for looking for interesting angles on a topic.
At the time of 'Words, Words, Words,' I'm a 19-year-old getting up feeling like he's entitled to do comedy and tell you what he thinks of the world, so that's inherently a little bit ridiculous.
American television constantly tries to co-op British comedy and create their own version of it. Most of the time it doesn't work; obviously, in the case of 'The Office,' it did. But a lot of times, it doesn't really work.
I've been a huge fan of the cable network FX for a very, very long time. I think their brand of comedy is incredible. For me, as an audience member, that's a go-to channel.
I get asked all the time if I want to do more dramatic acting, and I really doubt that dramatic actors get asked if they want to do more comedies. I don't really know why that is.
I became an actor by accident. I suppose I figured since I was in musical comedy from the time I was a teenager, I suppose I figured that I'd always been in that world to some extent.
In comedy, looking back is more important than looking around at your contemporaries because they are too much influenced by the same time period as you are.
I'm not a big fan of comedy roasts because most of the time I find them to be really mean, but once in a while, you'll hear something perfectly worded and well-crafted.
My tutors at drama school commended and criticised my use of comedy in my acting for a long time at drama school. They said I had a tendency to somehow perform the most tragic of scenes in a slightly flippant way.
Dame Edna is that rarest sighting in our time of the absolute comic, an inspired personification of caprice whose comedy answered the primal call to take the audience for a tumble.
So many times I've done a CD, and then the week after I record it, I've got this new tagline that's killer. And it makes the whole bit better. It happens all the time. But that's just the process of comedy.
My introduction to Woody Allen and to Ethan Coen was at the same time. On Broadway, I starred in a play called 'Relatively Speaking,' which was three one-act comedies, one of which was written by Ethan and one of which was by Woody.
You know, dramas are much more expensive to do than say a comedy, so any kind of deficit like that is picked up on when it comes time for them to pick up new shows.
What's fascinating about doing comedy about the referendum is, because it is the first time, it is the most extraordinary atmosphere. You find that if you are making jokes about politicians, it becomes intensely political.
You always draw on your experiences with live audiences to know how to do comedy on films. You're working for a laugh that may or may not come six months later, but you're working in a vacuum at the time you are doing it.
If a movie isn't a hit right out of the gate, they drop it. Which means that the whole mainstream Hollywood product has been skewed toward violence and vulgar teen comedy.
Michael Palin decided to give up on his considerable comedy talents to make those dreadfully tedious travel shows. Have you ever tried to watch one?
