If you're sitting across the table from someone, the geometry of the situation says 'confrontation.' If you're walking with somebody, you're heading in the same direction, and the spatial dance you're doing is a little more cooperative.
We should look closely on what is happening at the moment, guys with little moustaches can pop up everywhere now given this instable economic situation. A look into history shows us what that could mean.
We've got this weird dysgenic situation where we're basically just paying idiots to breed and taxing intelligent people to stay away from each other with anything remotely resembling fertility.
Its all about perspective, that is how you look at things. Your own thoughts and outlook defines whether an experience, event, situation whatever is good or bad. And your definition determines your response.
When I write an original story I write about people I know first-hand and situations I'm familiar with. I don't write stories about the nineteenth century.
I think boredom is the beginning of every authentic act. (...) Boredom opens up the space, for new engagements. Without boredom, no creativity. If you are not bored, you just stupidly enjoy the situation in which you are.
As a child I always had a sense of social conditions and political situations. I think it had to do with the fact that my mother was always discussing things with my sister and me - also because I read a lot.
The thing about being a mystery writer, what marks a mystery writer out from a chick lit author or historical fiction writer, is that you always find a mystery in every situation.
I don't think for a minute we went to Iraq for oil. It just so happened that it had oil. But I think we'll come out of the Iraqi situation with a call on their oil at market price.
I don't have a type. I don't have a specific kind of human being. It's just kind of an X-factor of sorts. Everybody I've ever dated has been a case-by-case situation.
When you are covering a life-or-death struggle, as British reporters were in 1940, it is legitimate and right to go along with military censorship, and in fact in situations like that there wouldn't be any press without the censorship.
There is a lesson there about greed and it is a lesson I am willing to learn as well. Has it made me a distrustful person? I don't think so. But we probably look a bit more carefully at our financial situation now.
I like to create imaginary characters and events around a real historical situation. I want readers to feel: OK, this probably didn't happen, but it might have.
It is not enough to tackle the mechanics of terror organizations. We must also tackle the situations that create terrorists. We desperately need to address the frustration, the loss and the despair that drive some to these actions.
When it comes to memories of that iconic type, memories that are burned into you, I have maybe ten or so from my childhood. I'm a bad rememberer of situations. I forget almost everything as soon as it happens.
I wrote a book called The Taste of New Wine because I couldn't find a book that talked about the reality of the situation and how we were dishonest and afraid.
Kids who are good at traditional school—repeating rote concepts and facts on a test—can fall apart in a situation where that isn’t enough. Programming rewards the experimental, curious mind.
It's something I've always loved doing. I'm not one of the artists who comes in and just does my bit. I'm there every second of every day. That's my hands-on situation.
Certainly the existence of these huge nuclear force was important for the ultimate confrontation, let's say, over western Europe. You just can't use them to deal with a situation like Afghanistan.
Well it seems to me, that all real communities grow out of a shared confrontation with survival. Communities are not produced by sentiment or mere goodwill. They grow out of a shared struggle. Our situation in the desert is an incubator for community...
What is inner peace but a deeply held belief that your current situation is exactly as it should be." - L. R. W. Lee, Andy Smithson: Blast of the Dragon's Fury