We seek true individuality and the true individuals. But we find them not. For lo, we mortals see what our poor eyes can see; and they, the true individuals, - they belong not to this world of our merely human sense and thought.
I started out doing things like 'Flash Forward,' where I was the girl-next-door, and then, I did a show called 'Higher Ground,' where I played this really mean, sarcastic girl. Then 'Firefly' happened, and everybody thought of me as this bubbly, swee...
When I got to write for the 'Battlefield' record, it was almost therapeutic. I had gone through a few things in the two years prior and it was really nice to take those thoughts and emotions and get them out. I definitely want to hone that side of my...
And if ever you need encouragement, remember at least two sober facts which nobody can rationally deny: that you are a new and unique living force in nature, and that you can, by taking thought and pursuing it, become more and more intensely alive.
One of my favorite places is Seattle. Growing up, I never thought I'd be able to go to Seattle. I grew up in eastern South Carolina, so that's as far as you can get from Seattle, unless I lived in Miami.
My first thought, as a child, was that the artist brings something into the world that didn't exist before, and that he does it without destroying something else. A kind of refutation of the conservation of matter. That still seems to me its central ...
I was a guy who needed to go to class, because I had some raw talent that I thought was identifiable, when I finally made a decision to be an actor. And yet I wanted to learn how to really do the stuff. You know, 'How do I get to be a serious actor?'
When I was 11 years old, I thought, 'All I really wanna be able to do is my own comic book,' and I'm doing it. I don't have any other real ambitions. I have nothing to conquer at all.
And still, all specifics aside, it was a fascinating thought. When something can't be known, when the particulars are lost forever, to look at the events that followed from it, that echoed it, and trace backwards toward the truth. Like seeing the rip...
I had to fight the intellectual label when I started in television, because, first of all, it's not going to help you commercially, and also, it wasn't particularly true of me. I mean, if anybody thought I was an intellectual, they probably had never...
When I started writing I was a sick teenaged fuck inside who partly thought I was the new Marquis de Sade, a body doomed to communicate with Satan who was us- ing my sickness as his home away from home, and there’s your proof.
Once she had thought that she might discover some key to her mother if only she could get her likeness right, but she has since learned that the mysteries of another person only deepen, the longer one looks.
When my colleagues went to endorse Rob Garagiola, nobody asked me for my opinion about that. And I didn't ask anybody else. I did what I thought was the right thing to do, and I made a decision, just like they did.
But just maybe sometimes being even more patient. Even though I thought I did that much better this year, and sometimes, you know, make my opponents play that one extra ball, and just knowing how to play the big points better.
I've always been a spontaneous singer. And all the stuff that you hear on the end of the songs, what they call the ad libs - that just comes out of my head. That's not thought out at all. I have the verses and the choruses, and then after that it's t...
I was 18 when I first visited London, I'm very provincial like that, but I must confess the moment I got to America I thought: This is the place. It was more open, with 24-hour cities and pubs and restaurants that didn't close.
If we are serious about dreaming our awakening into being and creating a peaceful, loving earth in which the heart, spirit and soul are the only true leaders, we must continue to keep our focus on thoughts of unity and all that truly brings us togeth...
The therapist, he thought, and it bothered him a lot more than it should have. After all, he had nothing permanent with Sophie. He just needed to touch her on a semiregular basis or he couldn't finish his sentences.
'Drown' was always a hybrid book. It's connected stories - partially a story collection but partially a novel. I always wanted the reader to decide which genre they thought the book belonged to more - story, novel, neither, both.
When i spend too much time in my head, focused on things in the past or things in the future... when i lose sight of the present, i fold in on myself, mentally, my thoughts become toxic and distorted, my emotions, darken.
When I was living in China, I learned to make things hyper-explicit because often they were being read by people whose command of English kept them from picking up what I thought were obvious signals.
