I definitely want to act and I want to sing. If those two fall through, I want to become a writer, probably, like a songwriter for other people, or a novel writer. I write a lot, and I read a lot. I like reading fiction.
Chris Salamone donated hundreds of thousands of dollars to education and leadership development as Chairman of the LeadAmerica Foundation. With his passion in studying and singing opera, he is trained in the martial arts of Jyu Ryu and Miyama Ryu Com...
When I think of Mick Jagger still singing that he can't get any satisfaction in over forty years of being in the Rolling Stones, I have to conclude that he's either lying or not all that bright.
I know I'm known for singing some of those high notes, but that's really not what giving someone goosebumps is all about. It's about really trying to find what makes you unique.
I don't think it's that I don't like Sondheim. It's that I find it really... I don't know how to describe it. Doing it is the most extraordinary thing. Because it's like Shakespeare times 100 with singing. It's that satisfying - and that demanding.
We are all in Christ's energy. We are all in the divine plan. We are all on the sacred journey, if you want to put it into some very spiritual words. And I like to sing about it, so that's what I do.
I see a young man playing 'Plaisir d'Amour' on guitar. I knew I didn't want to go to college; I was already playing a ukulele, and after I saw that, I was hooked. All I wanted to do was play guitar and sing.
Most people in the U.K. discovered me playing a standard on Parkinson. In America, it was on VH1 singing an original called 'All At Sea,' which is a contemporary pop song. So the people that know me there tend to think of me in the singer/songwriter ...
You've got a song you're singing from your gut, you want that audience to feel it in their gut. And you've got to make them think that you're one of them sitting out there with them too. They've got to be able to relate to what you're doing.
At only 20 years old I got married. I was still a kid myself, but in those times, if you got someone pregnant, you had no choice but to get married. So I left school and the only thing I could do was sing.
Romance is a bird that will not sing in every bush, and love-affairs, however devoted the sentiments that inspire them, are often so business-like in the prudence with which they are conducted, that romance is reduced to a mere croaking or a disguste...
I used to hang out a lot in jazz clubs, and the groups took to a kid like me who wasn't afraid to get up and sing with a jazz band. Then I started to hang out in rock clubs and learned to carry off different styles.
Yes, I always say that we're a National League band. What I mean is, if you play an instrument, you have to sing. So I always call our drummer up. Even the drummer has to take a turn on the microphone.
One of my earliest memories is seeing the bright blue, Epic 45 of Jackie Wilson singing 'Higher and Higher,' and I'd say, 'That one!' and my parents would play it every Sunday afternoon and we'd all get up and leap around the house.
I've always gone to see all kinds of shows and stole what I could, as we all do. We see an artist and hear a song and think, 'I bet I could sing that song. I'll put that in my show.'
I keep these songs in my head until I get behind the microphone. I never spend more than 30 or 40 minutes singing the vocal or it will sound mechanical. There are always mistakes, but it's about feeling more than being perfect.
What - of all the incredible duets that I've been able to sing, you know, John Raitt was still the one that I just shook in my boots just standing next to him. I loved him so much.
During the ten years I lived in the U.K., I frequently attended an Anglican church just outside of London. I enjoyed the energetic singing and the thoughtful homilies. And yet, I found it easy to be a pew warmer, a consumer, a back row critic.
Believe me when I say this: you can't please everyone in concert, even though I still want to. Someone always wants you to sing a song that isn't necessarily on your set list.
The Italians are very unmusical. If I go to a Protestant church in London or Amsterdam or listen to a black choir, I hear four-part harmony. Italians could never do that. In Italy, we all have to sing the melody because we cannot harmonise.
I was always the one leading the way in terms of wanting to do acting, singing and dancing. I was lucky that my mother had a very well-adjusted perspective of the world and never pressured me to do anything I didn't want to do.
