There were times in my career I went a little further than I wanted because of expectations. Doing certain things onstage when children were in the audience, wearing certain clothes, singing certain lyrics.
You can sometimes get your own feelings across more strongly if you pretend that you're singing it from someone else's angle. But it's always from me. It's just a new way of framing it.
I've been singing with Roomful of Teeth since the beginning in 2009, and it's a really mind-blowingly wonderful vocal ensemble. Very brave and very creative, and they're some of my closest friends.
A lot of people would have loved me to keep singing... You come to a point where you have sung, more or less... your whole repertoire and you want to get down to the job of living.
It does not matter how sweet you can sing a song of love. You must know how to dance along with it. You can't dance "salsa dance" on a "reggae song".
For singers, I believe we can sing in a lot of keys. I know I have this big range, but the point is to find a key that emotionally connects people.
How shall polluted mortals dare To sing Thy glory or Thy grace Beneath Thy feet we lie afar And see but shadows of Thy face.
I kept being asked by corporations to do corporate gigs. And I said, 'I don't have anything. I'm not a stand-up. You want me to come sing show tunes for you? I don't think so.'
When I was four or five, my father had a general store in Winchester and I don't think the farmers could ever leave on Saturday afternoon until I had been placed up on the counter to sing.
Neruda had his first dream, First meeting with the Moon and the Sun In sunny La Mancha, hiding in his heart, Where he learned how to sing like a nightingale.
In singing, there's a vibration that comes from deep down inside, literally from your sex. When you put out that vibration, people can feel it. Billie Holiday does it. Peggy Lee does it. It's very hot.
I find male singers and what they sing about fascinating. It makes me realize how little we know about ourselves and how little I know about myself. It's interesting to see the male perspective.
I'm not meant to run around trees. I can't throw my arms in the air and sing, I find that boring and irritating. Sweet romcoms are not my cup of tea. The film has to be a little twisted and quirky.
As far as the creative process goes, I always make sure that anything that gets discussed or talked about in the record is true to form. I make it a point not to sing anything that I haven't felt or gone through.
'Nothin' on You' by B.o.B was the first song where I heard myself on the radio. I'd been trying my whole career to write a song like that, which incorporates live instruments with hip-hop and singing.
I didn't say I wasn't gonna do rockabilly. I just said I ain't gonna sing no song that ain't a country song. I won't be known as anything but a country singer.
It Might As Well Be Spring... I used to sing that as a young girl in my voice lessons. Then I picked it up again and it spoke to me in a whole new way.
I've never taken drugs. My drug, I suppose, is drink. I never drink before I sing, but I do make up for it when I come off!
When I owned the theater, I had the Glen Miller Orchestra. I had 20 girls singing and dancing. I had a cast of characters. It was a big group production, as well as ushers, ticket takers.
If I had to look at 'Now He Sings'... from outside myself, I see it as a natural part of the growth of the jazz culture, which I've always been so happy - honored, really - to be a small part of.
I remember driving the tractor on our farm, and Tim McGraw would be on the radio. I'd find myself walking out of class, singing his songs. And then Tim ended up playing my father in 'Friday Night Lights.' It was surreal.
