I love doing big movies. It's awesome! You have all these toys. The thing I like about this movie is, like they always say, directors have the biggest train sets! Don't tell anyone, but I'd do this for free.
I'm interested to see what happens to Spike Lee with limited resources, you know? I love Spike Lee's movies. But you know what? I kinda liked his movies when he used to scramble and fight more for them.
I used to love the 'Star Trek' movies, 'Wrath of Khan' and stuff like that. Loved those movies when I was a kid. And 'Star Wars' obviously was hands-down probably - I mean I had the sheets. I was a big fan of that.
I get a lot of dramas, but I'd like to do a romantic comedy type of movie; that'd be a nice step for me. No more screaming or running or shooting... for one movie where I can just be in love with a boy.
You don't have to make, you know, $3 Million dollars a movie, or $20 Million dollars a movie, but if you make a living doing what you love doing, then that's success to me.
In Evita I wasn't really hugely involved with it. I gave a little bit of help but they needed a bit of technical help on the movie and so some of my music people went in at the end of the movie and helped out with it.
The two real leads in 'Children of Men' are Clive Owen and the social environment. You know, this same movie without the social environment maybe is just like a generic chase movie.
My characters always start well in movies. Almost every movie I've done starts with a happy marriage, it's all beautiful, wealthy, whatever... and then of course my husband leaves me, and everything falls apart.
I'm a huge fan of movies, and I watch DVDs all day, and I like to be able to watch DVDs that are different from what was in theaters. Whether that's uncut or a director's cut. I think it's an awesome way to rediscover the movie.
I'm horrible at quoting movies! Even my very favorites are not easily recalled or programmed to memory. When people start movie quoting around me, I'm that person who just smiles and then looks up the reference later.
I have realized that I hate going to the premieres of the movies that I'm in. Because I feel this tension after the movie is over that everyone feels obligated to say something nice to you. It's so unnatural and uncomfortable.
When you make movies, you have to be preoccupied with the social problems, otherwise there is no point in making a movie. To have a story, you need a social problem. Not necessarily a problem, but something to get the idea for a story, otherwise ther...
It's a big part of what we do - we test our movies extensively. I'm always there myself. It's sometimes difficult to sit through, especially if it's a version of the movie that's not working particularly well.
Well it kind of is project to project because as a writer I think you always write to some degree about things that you know or things that happened - but my favourite filmmakers, my favourite movies of theirs tend to be the personal movies.
I grew up watching movies and being amazed at the animatronics you'd see in stuff like 'The Dark Crystal,' and all those kinds of movies. So, I'm always enthralled with how they can make it all work, behind the scenes, with the visual effects.
Movies, I don't really get the bad guys. In theater, I get more bad guys. Both audiences and directors are more willing... to allow people to stretch. In movies, you do one thing, and then that's their reference.
I have made a number of movies that I have never seen. It's not a matter of ego. It's a matter of being disappointed. It's really a shame. It's just as difficult to make a movie that no one cares about as to make a hit.
Technology has not only changed the way people are able to view movies, it has changed the way our industry produces and advertises movies.
I have to say that movies have as much impact on me as music. And that I learned as much about narrative from movies as I did from reading novels, how to arrange stories, how to juxtapose things.
My dream is to be able to make something in Baltimore that's just there. Make a movie or make a show there. I only left because there wasn't any opportunity except being an extra in Barry Levinson or John Waters movies.
Why isn't the movie industry forced to open its shooting locations to an organization that is there to advocate for animal actors? The industry isn't allowed to pick and choose which movies using young children it will or won't allow to be monitored....
