Somehow, someway, you get kind of labeled this guy who was in a Freddie Prinze Jr. movie too many. And Freddie Prinze Jr. - it's not his fault, either - it's just these are the things that happen. I'm not a George Clooney; I don't have a ton of oppor...
I grew up believing that one person could make a difference. In Indiana, you saw that with basketball. The small town could beat the big town, like in the movie 'Hoosiers.' That is one of the things that attracts me to entrepreneurs.
I have a lot of brothers and sisters, and each movie has helped pay for tuition. And then I was like, I only have one left in college, so why am I doing this? But now I want to go back to Italy and live on a farm in Tuscany.
Four months after we finished shooting, I'd been in New Orleans shooting another movie and my agent and I were having a bite to eat - actually in London - and he's sitting there and goes, 'Wow, I just can't believe how ripped you are.'
Fundamentally, I always find that most of the films that I've put out are essentially the director's cut. Part of the process with a director's cut is the leaving behind of certain aspects of the movie that we don't feel necessary because they aren't...
I realized that I'm a soft person. I think I'm sensitive. I wanted very much to be tough and I think movie stars have a certain kind of resilience and toughness to them, but I'm quite a sensitive young lady in some respects.
In the studios days, the public's perception of movie stars was much different, because the stars were so much less exposed. This made them seem more special, more unearthly. Today they're no longer perceived as different - they've become human, so t...
I don't enjoy the boo scare when you're watching a movie and then suddenly there's a big shark on the screen. The only thing they're doing is catching you off guard.
An action movie should, like any other, follow the narrative traditions of literature. That means there should be subtlety, a slow build and a gradual bringing together of all the separate threads of the plot. To see all of it coming together slowly ...
I think about the audience in the sense that I serve as my own audience. I have to please myself the way, if I saw the movie in a theater, I would be pleased. Do I think about catering to an audience? No.
I never set out to make a movie that was everything to everybody; if that were the case, we could all just take a picture of a tree and agree that the tree is beautiful and move on with our lives. I wouldn't even need to show up.
I stole a ton of film language from Steven Soderbergh and 'The Limey.' It's the definition of elliptical. It was the first movie I remember that introduced me to storytelling that isn't just one scene after another, and that things can be mixed up in...
I would make the movie industry more like the television industry. TV is more material driven. In TV, you can break new stars. TV can take more chances.
I'm probably an actor that tends to, instead of putting things on, think about it more in terms of taking away what's not in the character, until I'm left with what is. If that makes sense. That's probably a particularly American way of working, but ...
In some instances, I would say the writer does deserve equal billing with the director. In other instances the director - especially if he wrote part of the script himself - is clearly more the author of the movie.
I am not a rock star or a movie star; I'm a businessperson. I definitely know who my friends are. I'm much more open and trusting than, say, my daughter is.
I'm sort of a delusional in the sense of, I was just gonna graduate from school and just, like, prance onto a film set and have a movie crew waiting for me to make my '8½' or something, which is completely insane.
I was hesitant to do 'Mulan II.' For me, I felt like the story that needed to be told, this legendary character of Mulan, was already encompassed in the first movie, and I was worried they would try to create this crazy cartoon character out of this ...
I want to go to Harry Potter Land! I actually should text Emma Watson to see if she can hook us up with a backstage pass or something. That's the perk of doing a movie with Emma called 'The Perks Of Being A Wallflower.'
That’s why when major badasses greet each other in movies, they don’t say anything, they just nod. The nod means, ‘I am a badass, and I recognize that you, too, are a badass,
You know how in every heist movie they get past the security cameras that show the hallway leading to the diamonds by jamming the screens with a fake signal of everything looking safe and quiet? Usually a guard coughs so they don't notice the blip fr...
