My movies are not movies of answers but of questions.
Every time I read a script, I see the movie in my head, and I try to see the best movie in my head because everybody interprets the movie differently.
There's never been a mathematical equation that says a good experience making a movie equates to a good movie, or a bad experience on a set is going to lead to a bad movie.
There are a lot of kids out there copying and distributing movies - not because they care about seeing the movies or sharing them with their friends, but because they want to stick it to the movie business.
I was in a movie called 'Vanishing on 7th Street,' and that was my first leading role in a movie. It's an apocalyptic thriller, and it's really cool. It's the first movie I ever shot.
When I go to see something I'm in, or my friends are in, it's like a home movie. When I just go to the movies and don't know anyone in it, then it's a real movie.
I like storytelling movies and more than that I like historical movies; and I think someday I'll definitely make a movie about the past 50 years history.
A good horror movie should have peaks and valleys, a good horror movie should move you emotionally; a good horror movie should be exciting to watch and energizing in a weird kind of way.
It's funny, I started by making fake American movies, 'The Transporter' and stuff like that. I was shooting in France, but everything was in English. But then afterwards, I was looking at real French movies like the Jacques Audiard movies.
Hollywood's a big place, and they make all sorts of different movies. Some movies I'm attracted to; a lot of the movies I'm not. But there are some terrifically talented people over there that I'd love to work with.
I don't think of myself as a movie star and I can pretty easily convince other people that I'm not a movie star.
You could go out with a camcorder tomorrow and make a movie with virtually no money, but promoting a tiny low-budget movie costs $20 million. And the money they spend on the big movies is astronomical.
Getting movies made is not as difficult as people think. Making movies is easy. You get a script, you get a director, you raise the money, you make the movie.
I love to go to a regular movie theater, especially when the movie is a big crowd-pleaser. It's much better watching a movie with 500 people making noise than with just a dozen.
I knew I had to get out of Boston and stop making movies there, at least for one movie, otherwise no one would ever consider me for a movie that took place south of Providence.
Up until doing this movie, I hadn't really paid a huge amount of attention to those genres, but after finishing this movie, it really gave me a different sense of appreciation of the way the movies play out.
And usually the studios they don't want you to have credit for your movies because they want to take credit for the movies because if you get credit for your movies they've got to pay you more.
I'm passionate about fantasy movies. I'm passionate about comic book movies. I'm passionate about superheroes. And movies about vengeance. And all of that - the stuff that I grew up reading.
I think whether you're a movie critic and have seen a million movies, or you're just a normal popcorn movie watcher, you can tell the difference when someone is just laying it on too thick.
Analyses of the movie marketplace points to an interesting phenomenon: High-profile movies are continuing to do well year-to-year in the U.S. and overseas - this past summer, for example, the top 10 movies registered at the same level as in '04.
What is reading but silent conversation.
