Statistics show that many people watch our show from the bedroom. and people you ask into your bedroom have to be more interesting than those you ask into your living room. I kid you not!
There are very few people who really appreciate my shows. People come to the show and they pay and they enjoy it, but I don't really think most people really understand what they've seen.
You gotta show kids YOU'RE not scared (even if inside at times you are) and when you show you're not afraid of the "monsters" then they too will stand up even when the lights are off.
I've always been switching around the show to accommodate the audience, and you know it really makes it a lot more fun for me and keeps it fresh so that I'm not complacent with the same show every night and with every audience.
When I was on Broadway, people would really just recognize me around the theater. When you're showing up on commercials and posters, the scope of people recognizing you gets a little wider.
I made a photograph of a garden in Kyoto, the Zen garden, which is a rectangle. But a photograph taken from any one point will not show, well it shows a rectangle, but not with ninety degree angles.
The fact is that daytime television is less valued than nighttime, and it's partly because of the product that we produce. We do a one-hour show in 12 hours. Nighttime produces a one-hour show in seven to nine days.
People of my generation who became photographers in the late fifties, early sixties, there were no rewards in photography. There were no museum shows. Maybe MOMA would show something, or Chicago. There were no galleries. Nobody bought photographs.
I was pretty new to the Broadway world once I began working in it. I hadn't really grown up being too aware of that many shows or that many actors in shows. I was always obsessed with Judy Garland, though.
In a perverse way, I was glad for the stitches, glad it would show, that there would be scars. What was the point in just being hurt on the inside? It should bloody well show.
I was a bit odd as a kid, because there were so little outlets for me. There was no theatre except for the odd community theatre and school shows. The only movie theatre was at the Canadian Forces Base nearby in Comox, so it either showed kiddie flic...
I could beat my mike stand into the stage, but I was still in pain. Maybe fans liked it, but sometimes people forget you're a person and they're more into the entertainment value. It's taken a long time to turn that around and give a strong show with...
You'd look out and there'd be little babies watching the show, and boys and girls. They loved the cowboys, and they loved Annie. There were young people seeing the show for the first time. I stayed for two years because I enjoyed it so much.
Well, there's much more time to do a weekly show, and much more coverage - as it turns out, it was all preparation for the stuff I'm doing now - but it was interesting to see how much time was spent on how little airtime, compared to knocking out a s...
Yeah, well when I first started working, it was $5 a show; it was probably a little higher by the time I got to my own show, but I remember that they put me under contract at $100 a week, which to me was really an astronomical price.
To portray an iconic character has been brilliant in itself, and to be able to do that on a show like 'Once Upon a Time' enhances that because the show puts a spin on characters and makes them very different and puts core values that are very differe...
[Rocco is showing strain at the height of the hurricane's force] Frank McCloud: You don't like it, do you Rocco, the storm? Show it your gun, why don't you? If it doesn't stop, shoot it.
Cosmo Brown: What's the first thing an actor learns? "The show must go on!' Come rain, come shine, come snow, come sleet, the show MUST go on!
Coccotti: Now, what we got here is a little game of show and tell. You don't wanna show me nothing but you're telling me everything.
Well, we don't take money from people and then show the product. It has to be a product that we like anyway, and that's true for all five of us, which is one of the really nice things about the way we make the show.
I've never seen American Idol but I am grateful to them. That show is one of Fox's biggest moneymakers, and some of that money goes to pay for shows like Prison Break. Simon Cowell's been signing my paychecks and for that I say thanks.
