When you come from a family of actors, people in show business, they really know to celebrate good news and to celebrate it hard because it's not every day that you get it.
I think my legacy should be that when I started in show business, there wasn't no such thing as rock n' roll. When I started with 'Tutti Frutti,' that's when rock really started rocking.
My history in show business spans over a quarter of a century, and I have seen many people in the industry struggle with coming out, only to find much more success after they finally did.
What happened was, my parents after 'Circus Boy' decided to take me out of show business for two years to go back to normal school. It was the smartest thing they ever did.
My dad's a lighting director. Growing up in Hollywood, I was around the entertainment industry all the time. I knew I'd end up in show business in some capacity, eventually.
We have boys now, and men, in the rock and roll business and all the show business, who have this reaction on women. They scream. They yell. They do all sorts of wild things.
Show business has been really, really good to me because I can work and take a lot of time off, and I'm extremely undisciplined person.
The minute you start the process of deciding to make a film and you're communicating that vision to anyone, you're in the process of selling. If you don't understand that, you're not in show business. You're just not.
The economics favour one-man comedy shows: all you need is one person, a microphone and a PA system. But I'm pleased so many people are making a living out of comedy - it's a wonderful business to be in.
I developed the pilot for 'Entertainment Tonight' with Jack Haley, Jr. and Al Masini, who became my business partner in 'Lifestyles of the Rich & Famous,' 'Runaway' and several other shows and specials.
I'm fortunate that I'm employed. And if you're in show business, of course, every night you go to bed and go, oh my god, tomorrow I'll never, ever work again.
I started dancing when I saw Fred Astaire in 'Flying Down to Rio,' at approximately nine years old. Fred Astaire influenced me, more than anything, to be in 'show business.'
The strategy is obviously a business decision to have limited advertising on the WWE Network. We want subscribers to know that there won't be commercial breaks during scheduled programming, so your shows won't be interrupted.
I never thought much about success early on. I only thought about being a comedian - or just being in show business, is really more accurate.
I just wanted to be in show business. I didn't care if I was going to be an actor or a magician or what. Comedy was a point of the least resistance, really. And on the simplest level, I loved comedy.
If there's any business that instructs you in the strong hand of fate, it's show business. You can plan and plan, but it's what happens to you that really determines what your career will be like.
I was never really brought into the show business side of my father's life. I guess that's been a blessing and a downfall. But it's made my own work the initiation.
With TV, you get on a show and you're there for 11 years playing the same character. I would pull my hair out. Yes, the money is good. But I'm really not in this business to chase dollars.
I said, to hell with the whole thing, to hell with show business. I'm gonna make a new life for myself, and I got off drugs, completely kicked all that stuff.
Stand-up don't get no respect - it's the hardest thing to do in show business. You don't have no band and there's no music.
What I would have liked to do on that show was play a secretary of state who has huge personal business interests throughout the world. That, to me, seems to be more in synch with reality.