I appeared on a show with Jonathan Harris on it-the Bill Dana show-even before Lost In Space. Someone gave me a tape of it in the past year, but in all these years we hadn't remembered.
Once employed, the employed's friends are reduced to creatures that he only sees when he has a new problem, or, something new to show off.
I literally get up and get to do the one thing I dreamed about doing every day. And that is being a part of a television show and a radio show that is based in Hollywood.
I'm always trying to improve my skills as an actor. I think it shows in 'El Gringo;' it shows in the new 'Universal Soldier.' You can't rest on your laurels; you've got to keep improving.
Working on 'Comedy Bang Bang,' we're there from 10-7, and that's a pretty light day compared to most other TV shows. Other shows, it's like 10-10.
Show me somebody who is always smiling, always cheerful, always optimistic, and I will show you somebody who hasn't the faintest idea what the heck is really going on.
I think it's not uncommon for new television shows to spend certainly the first year, but without a doubt, like, the first eight or ten episodes, kind of figuring out what the show is.
You can watch Chanel fashion shows and watch the news. Fortunately you don't have to choose. I always vote, I go to rallies, but I also go to fashion shows.
I was lucky enough to have the songs in my first show written by George and Ira Gershwin. Then Cole Porter wrote five shows for me.
Happy Days was about a family... although the show was shot in the 70s, it was about a family in the 50s. I realized that kids were watching their parents grow up and the parents were watching themselves grow up. That was the key to the success of ou...
Each of our 900 shows so far was different - maybe that's what makes the fans come back to our gigs time and again. And that they're always part of the show. Phish concerts are a communal experience.
There's probably a little more creative freedom in cable versus network, a little less of a committee looking over everyone's shoulder, but it depends on the network; it depends on the show; it depends on who the head writer or show runner is and wha...
I don't rehearse on either of my shows, 'Family Feud' or my talk show. I never rehearse with the guests. I don't want to have any preconceived thoughts, notions, because that kills my creativity as a host and as a stand up.
I'd still like to see 'Survivor' minus the planned show-biz parts. That would be the purest form of show business - I want to see someone so hungry that they eat somebody else's foot.
You know, the funny thing about Lorne and that show is that, you can go over one million things, but in a business of bean counters, he still likes to laugh at small things and creates a show around it.
I think 'Y&R's future is contingent upon the ratings. Obviously, none of the soaps are kept alive for the sake of loyalty. It's all about ratings. It's show business. Period.
I like being from a city that is not entrenched in show business. When you're in New York City or Los Angeles, even if you're not dealing with show business, there's still this sense that it's the center of the universe.
Major labels didn't start showing up really until they smelled money, and that's all they're ever going to be attracted to is money-that's the business they're in- making money.
Now, there is no business like show business, and there is no publicity like word of mouth. What is word of mouth, you may ask? Well, word of mouth is gold to Hollywood bigwigs, and it equates to box office bonanzas and hit TV shows.
I grew up in a show-business family, but we were working-class show business. There was nothing glamorous about it. You had great things one day and the next day, nothing.
Stephen A. Smith is the hardest-working man in sports show business. The ubiquitous basketball pundit appears on ESPN about 10 times a day as a regular on the show 'NBA Fastbreak,' a guest commentator on 'Sports Center,' and a pundit on 'ESPNEWS.'
