It was exactly what was released two months later with the exception of a couple of reaction shots which we went back in to get. I liked the movie very much and asked him what the studio's problem was. I felt that he was at a point where they might h...
If it's lawful to have a rifle club to kill pheasants, it should be just as lawful to have one to kill wolves or dogs that are being sicked on little black babies. In fact, it's constitutional. Article Number Two of the constitution guarantees the ri...
A doctor can only treat patients. A doctor can only help the people who are shot or who are injured. But a politician can stop people from injuries. A politician can take a step so that no person is scared tomorrow.
How do I handle it? I would say more times than not, if I have a bad shot, I just get angry and almost like kill the next one. And it usually works I would say 9 times out of 10.
The reason I like tracking shots has to do more with a sense of real time than anything else. In 'Gravity,' the use of tracking - of long extended takes - was partially because we wanted to film it like an IMAX-style Discovery Channel documentary. Yo...
I don't believe in hitting a bad shot and then insisting it's no big deal. No, you just messed up, so react. I'm not saying you need to throw your club. I mean, take 10 seconds to get angry at yourself, but then start over.
You can't create a movie as you think about it. And what's in the scene is not what's being seen. A shot always means something other than what it is. All are vehicles. A landscape is just a vehicle. The viewer might think different things, and I'm n...
I have been stabbed, shot, burned, bitten, beaten unconscious too many times to count, and even staked. None of those held a candle to the pain I felt at seeing his mouth on hers.
The problem with a wish list was what it told you about the person who wrote it. If it's honest, it's a rock-bottom, barebones, clear shot all the way to someone's soul. Hats can do the same thing.
What you experience in the army, aged 18 to 21, is what you take through all your life. You cross invisible lines: you shoot someone, get shot, break into people's houses. It's naive to think you won't carry anything into your life.
As far as the leading man/romantic lead, I'll tell you what, I really enjoyed my experience more than I thought or imagined I would on 'Catch and Release.' God bless them if they want to give me another shot at that. I would love to have that as some...
I shot all my stuff on 'Arrested Development' in one day, and was brought into a really well-oiled machine. 'Cause it was the last season, and they were wrapping up a lot of stuff because they knew at that point that they weren't coming back. There s...
I had a great time making the last movie, 'Eclipse.' We shot my back-story stuff from the 1930's. But I was waiting for 'Breaking Dawn' because I love the relationship Rosalie has with Jacob and the rest of her family and Bella. She also provides com...
I was on a show called '12 Miles of Bad Road' with Lily Tomlin - it was an incredible HBO show. We shot 6 episodes, previewed it before the finale of 'The Sopranos;' it was written up as a 'Great New Show on HBO,' and then the whole thing was canned....
I often thought I was in the wrong business. I was pretty seriously thinking of tossing it in before I shot Shine. I do not know why. I was pretty restless, I had been through a bad period of stress induced anxiety - panic attacks - and I was not sur...
You have to have talent to some extent - I certainly hope I have talent - but you have to have luck as well. Once you get that first shot, that will get you noticed for the rest of your books and that will give the rest of your books a better chance.
How a piece ends is very important to me. It's the last chance to leave an impression with the reader, the last shot at 'nailing' it. I love to write ending lines; usually, I know them first and write toward them, but if I knew how they came to me, I...
Every day, families in Africa go without food and water, never knowing when their next meal might be; but we can change that if we all work together. In order to make a difference, every purchase of my new energy shot, Street King, will provide a mea...
I wrote 'Thelma & Louise' in 1988, and we shot it in 1990. Everyone kept saying, 'This is so groundbreaking... this is going to change the landscape,' but I don't see that result at all. When we saw some female studio executives, we were hopeful that...
I love being on stage if I'm not on a set. If I'm at home, I'm usually in my office editing or reconstructing my website or whatever it may be. I just love putting creativity into a performance, so if the right script comes along, and I certainly am ...
A lot of my comic influences are distinctly American: Woody Allen and Bob Hope, for example. They were always the underdogs who were using wit to sort of battle their way through. And it seems to me that a lot of contemporary U.S. comedies are shot t...
