It was a scene I was really looking forward to, and one that I embraced, and when we were filming it, George got closer and closer and closer with that camera - he was practically up my nose for the final shot. So I knew it was a moment that I had to...
When you're your parents' one shot at a genetic legacy, you may get to attend all the best schools, wear all the best clothes and eat all the best foods - at least relative to children in multiple-sibling households. But you also wind up with an over...
When we trust God more than our feelings, it confuses the devil. I mean, when he throws you his best shot and he can't budge you from believing God, he won't know what to do with you anymore.
You have to be sharp with all aspects of your game at Augusta. You need to put yourself in the best spot off the tee and hit the longest drive you can, but I think this is really a second-shot course. If you leave yourself with an awkward putt on the...
Seve Ballesteros was the best trouble-shot player who ever lived. It didn't matter how far in the woods you put that guy, he'd find a way to get out. But Seve inadvertently put a lot of big numbers on the scorecards of average players, because he ins...
One of the best parts of Thanksgiving for me is re-watching some of the classic holiday blunders that have been depicted on television. I remember laughing uncontrollably on the set of 'That Girl' back in 1967 when we shot the episode, 'Thanksgiving ...
I would be sad if it ended now. It's been the best job I've had by a long shot, especially creatively because the writing is so good. Every week I get the script and I laugh out loud and get excited for the different stuff we get to do.
I always thought I looked kind of like Keith Richards, and sometimes I think I look like Michael Jackson in his mug shot. But as I think Keith Richards is pretty great-looking, I'm embracing that part of me.
What happens so often as an actor is that you retain the information about the scenes that you yourself shot and you obsess over certain scenes that you found the most challenging or interesting. The rest of the film kind of falls away in your memory...
I've always enjoyed people studying themselves in the mirror, and I also enjoy those 'walk and feel bad' shots. I like anything that isolates people and focuses them on themselves, or makes us focus on their faces as they're going through something.
First I wanted to be a veterinarian. And then I realized you had to give them shots to put them to sleep, so I decided I'd just buy a bunch of animals and have them in my house instead.
The only way to win tournaments is with the short game. Over half your shots out here are within 30 or 40 yards. Ballstriking is where I'm trying to improve, yes, but more to eliminate big numbers than make birdies.
But the two of them together, broke my heart. Olympia and Peter, those scenes... When they're kissing in their 20s and then kissing in their 70s, that's what it is. And they had never met five minutes before they shot those scenes.
My grandpa would take me to the driving range and, I don't know, it didn't take me long to realize I'm a little different with golf. I have an eye for seeing things differently. Somehow I just see shots in my head.
I don't mind fans coming up in a friendly, respectful way. That's all part of the fun of being a top tennis player. But if people take pictures without permission, particularly if my children are in the shot, I feel uncomfortable.
I bled a lot. I got hit across the face. We couldn't film for seven days. I got hit, whacked, underwater, across the face. I finished the shot, got into the boat and blood started coming out.
It didn't take me very long to realize that modeling wasn't very satisfying. I was always asking people, 'How are you going to set up this shot? How will it be lit?' And they'd say, 'Stop. Just pose.' I had a problem with that.
I grew up in Mammoth Lakes, and they shot an episode up there, and I was hanging around when I was on the ski team. I was very, very involved in athletics, so I didn't watch a lot of TV, but I definitely watched a lot of '90210.'
I did nine months in 'Mrs. Klein' in New York, then four months on the road. Then I did a movie directed by Philip Haas, who did 'Angels & Insects'. We shot 'The Blood Oranges' in Mexico for six weeks.
Every kid coming out of Harvard, every kid coming out of school now thinks he can be the next Mark Zuckerberg, and with these new technologies like cloud computing, he actually has a shot.
When a scene is being shot, it is very difficult to know what one wants it to say, and even if one does know, there is always a difference between what one has in mind and the result on film.
