Later we learned that it was one of our own men hanging on the wire. Nobody could do anything for him; two men had already tried to save him, only to be shot themselves.
What constitutes a real, live human being is more of a mystery than ever these days, and men each one of whom is a valuable, unique experiment on the part of nature are shot down wholesale.
I don't think any studio - it was a long shot at the time - but I don't think any studio in a million years would make 'Thelma and Louise' right now. But there's so many other kinds of movies they won't make right now.
Jane Burnham: [seeing Lester having just been shot] Oh, my God... Ricky Fitts: [looks at Lester, curiously intrigued] Wow...
Dr. Grace Augustine: [after getting shot by Quaritch in the airship as they're flying away from the hangar] This is gonna ruin my whole day!
Kit Carruthers: I shot him in the stomach. Holly Sargis: Is he mad? Kit Carruthers: He didn't say nothing to me about it.
Eirik: I can't see! I can't see! Ray: Of course you can't see! I just a shot a blank in your fucking eye!
Mitsuko: [dying in a pool of blood after being shot repeatedly by Kiriyama] I just didn't want to be a loser anymore.
[after Rocco gets his finger shot off] Rocco: Feels like it's still there. Connor: Yeah, well it's not.
Jenny McCarthy was the one I thought could turn me straight. I thought that if I could just get my shot with her, it could happen.
I got 'Munich' after I had done 'In Treatment' in Israel, which was very successful. But, when I actually shot it, nobody knew it was going to be sold all over the world and be so successful.
What's aero braking? That's a way to use the gravity and upper atmosphere of Earth to sling shot a ship out either deeper into space, or slow it down to be 'captured' by Earth's gravity.
I'd take precision any day over power; as far as being tactical you know you have to see what's going on in there and also understand that for every punch that you or your opponent throws there's always a counter shot or two which you have to be read...
There is something fascinatingly awkward about an author photo. I'm drawn to those glossy shots in the back of books, mostly because the subjects never look happy to be there.
Tennis taught me to take chances, to take life as it comes. To hit every ball that comes to me no matter how hard it looks, to give it my best shot.
Every once in life everyone has one time opportunity. So take your best shot or go to your mama and cry your ass off.
Whoever wrote "I'd rather have loved and lost than never have loved at all" Should be shot in the face. Funny thing is, I'd rather take their place
They were so clever finding ways to get me the ball. They had to do more than just give up open shots. They had to avoid fouls and pass me the ball in traffic.
At first blush, it seems that the young people who were shot down in the parking lot at the base of Blanket Hill gave up their lives for a dream that died with them.
I thought I was attractive when I shot 'My Big Fat Greek Wedding.' Studio executives and movie reviewers let me know I had a confidence in my looks that was not shared by them.
I'm a big fan of being able to hold those long shots and use space. I don't know, I think everything's so quick cut these days, as if films are too afraid that the audience is going to get bored instead of relaxing and trusting their work.
