I think the great thing about the Jack Ryan films is that the plot and the story always take center stage. If you've done your job as the actor portraying Jack Ryan, you are present enough to make an impact, but you let the story shine.
In my time since moving to the United States, I've found that there is a dearth of great writing for black people. There are stories that depict us in a way that isn't cliched or niche, and that a white person, a Chinese person, an Indian person can ...
Theme is great for people who like to approach stories that way, but it's an organizing principle that helps us write a story that has some weight; it's not something that all readers have to care about.
I never take ideas from the headlines. I feel that if a story is good enough, a real story that is, then it's already been covered by the media, and if it's not good enough, why would I want to bother with it?
It's easy to set a story anywhere if you get a good guidebook and get some basic street names, and some descriptions, but, for me, yes, I am indebted to my travels to India for several of the stories.
The good ending dismisses us with a touch of ceremony and throws a backward light of significance over the story just read. It makes it, as they say, or unmakes it. A weak beginning is forgettable, but the end of a story bulks in the reader's mind li...
There's always that discussion about fiction about how do you market it - these are books for boys, these are books for girls, these are books for adults. Actually, they're just stories, and if they're good stories, then they surpass those boundaries...
You look at the part in '12 Years A Slave,' you finish that script - I mean, it's a powerful story. You go, 'Man, I have to play a bad character in this.' And then you go, 'Well, do I want to play a bad character and contribute to a good story?'
I try to tell a story that's good enough to win the right to integrate eternal themes into it. If it's poorly written or comes across as a sermon, then obviously you don't reach people, because they're aware that you're imposing something on a story ...
In any story universe, you don't just want to keep adding to it when there are places and planets that exist that will already achieve the same thing for you story-wise. You don't want to just keep making it bigger for no good reason.
'The Black Prism' is a story about two brothers who respect and fear and admire and contend with and shape each other. In other words, it's a story of normal brothers - who happen to be in extraordinary circumstances.
I think origin stories are a great way to get people reinvested in a story. I mean, we originally accepted 'Star Trek' without knowing anything about Kirk or Spock. All we needed to know was that it took place in the future.
I believe that even today we can only tell a simple story without really interfering with gameplay. But in the future, I think it will almost be a requirement of all storytellers when they create games, how they can tell a more complex story without ...
The thing with film and theater is that you always know the story so you can play certain cues in each scene with the knowledge that you know where the story's going to end and how it's going to go. But on television nobody knows what's going to happ...
You will always have partial points of view, and you'll always have the story behind the story that hasn't come out yet. And any form of journalism you're involved with is going to be up against a biased viewpoint and partial knowledge.
I think politics is a higher build in life. You know? If you diffuse under normal, common sense of a story, you make it political. If you choose a conventional way for a story, or refuse to use the conventional way, you make it political.
I think the name of the show, 'This American Life' - we named it that just because it seemed like it made the thing feel big. But we don't think about whether it's an American story or not. We happen to be Americans. I think for the stories to work, ...
Most of my story ideas come from my childhood. Sometimes they hatch from stories my parents told me, sometimes they come from experiences in my own life, and sometimes they are inspired by mere moments.
Al Gonzales is a dedicated public servant and exceptionally qualified to be our nation's next Attorney General. I know that a lot has been said about Judge Gonzales' life story. It is a story of the fulfillment of the American Dream.
A real love story is sometimes exhausting. A romance is deliberately constructed to yield a certain result; the ambiguities are trimmed out, so it's neater and more pleasing to our hearts. But you don't live a love story, you live a life.
Whatever you perceive, you always make a story with yourself as the main character, and that dictates your life. Then when you read 'The Four Agreements', you hear another voice beneath the story, the voice that comes from your integrity, your spirit...
