I always like story songs, Dolly Parton, Tom T. Hall, Mel Tillis, Red Stegall, when they'd do their story songs. I was totally enthralled.
Because of all the concurrent stories going in 24 and its fast pace, it can be complicated in terms of the story, so I thought sound could help with the storytelling.
Basically, all novelists should want to tell a story, and if they don't want to, they shouldn't be novelists. I think story-telling is important and underrated.
Data, I think, is one of the most powerful mechanisms for telling stories. I take a huge pile of data and I try to get it to tell stories.
I deliberately, in a way, went for something that was a huge challenge and was a big period film. I was excited about the canvas on which I could tell the story as much as the story itself.
If the right idea comes up, and it feels true to talk about somebody being in a truck, and that's the only way to tell the story, then I will reluctantly tell the story that way.
Remember: It’s all in your head… all of it. If you don’t like the story, change it. If the people around don’t accept your new story; change them.
The story of U.S. policy during the genocide in Rwanda is not a story of willful complicity with evil. U.S. officials did not sit around and conspire to allow genocide to happen.
I believe that everyone has a story to tell. The problem that is inherent to most aspiring authors is that they struggle with getting the story from their head to the page.
I wouldn't do a project if it weren't a story I wanted to tell. That's rewarding in itself, as a writer, if you're working on a story that you enjoy telling.
I never fixed a story. I didn't make judgments, I let the listener make judgments. When I got to the end of the story, if it had a moral, I let the listener find it.
Obituaries were among my favorite to write because they have elements no other news stories have - a story from start to finish with a proper conclusion.
Some of those stories in local newspapers are just as dull and boring as the stories that I get from on-line services, which are basically sort of straight news.
Whatever I experienced in the world that I didn't understand I'd invent a story and workout my understanding of something through the story.
I don't shy from controversy. I'm telling stories, and I'll tell whatever story seems like it wants to be told.
But every day I tell my story, and be comfortable with my story and be comfortable with what I've done, and what I did, and how I am today, it lessens the likelihood it will ever happen.
Everybody loves vampire stories, and if there's one show in particular that's done really well, it just opens the door and the opportunity for more of those kind of stories to get through.
'Olive Kitteridge' is a masterpiece: The writing is so perfect you don't even notice it; the story is so vivid it's less like reading a story than experiencing it firsthand.
I was too lazy to start a whole new story, so I just stuck a princess into the story I was working on... and The Princess Diaries was born!
Marvel does a fantastic job about bringing human stories - because you're telling big stories with a heart at the centre of it - and that's what connects all of the characters to our audience members.
Rumors, stories... I'm used to them. I got my ribs removed, I was on 'The Wonder Years'... You know there's a different story every day.
