I love doing fiction. I love doing performance films and I love doing documentaries that don't have music. I love to shoot and I love to shoot things I'm enthusiastic about.
They're not shooting me for deserting the United Stated Army - thousands of guys have done that. They're shooting me for bread I stole when I was 12 years old.
Why would you want to go all the way to Africa and shoot a giraffe? I don't think you can eat him. I only shoot stuff I can eat.
Sometimes there's a sense of closing yourself off on a shoot, and I try not to do that. Sometimes you have to, like when you're in a studio and you're doing fashion shooting, but I don't even do it then.
When we talk about protecting our right to have guns, we are talking about protecting our right to shoot bullets. So what is it that's so important to shoot at?
I think there has only been one time in my entire career that I've ever gone back to shoot a scene. And it was a scene that, when we were shooting it, we knew that it wasn't working. We knew there was a disagreement between the actor and director. So...
If you shoot with a billion cameras, then there's no perspective. You want to use one shot at a time, so it's better to discover what that is before you shoot, rather than trying to make something in the cutting room, and then it just becomes generic...
Gang Member: [in German] Nicht schiessen! John McClane: [shoots him] What was that? Mathias Targo: [kicks McClane] He said "Don't shoot!"
Jayne Cobb: I won't get et! You shoot me if they take me! [Mal aims pistol squarely at Jayne] Jayne Cobb: Well, don't shoot me first!
I hate when the sun is high and there are no shadows. If I could do super high-budget movies, I would only shoot when the sun starts to get low - but you can't just shoot for four hours every day.
Tom Arnold and I, we have a huge firefight scene on top of a German tank. I get to shoot 50 caliber rounds. We shoot a helicopter out of the sky. That's the only fight I'm in.
Well, there are three different processes of making a film, of course. They're sort of re-written three times. You write it to start with, and then you shoot it and you re-write it while shooting and you sort of re-write it as you edit.
Are you okay?" Kelly cried. "I shot dinner," Nick said. Kelly snorted. "Look, Hannibal, you can shoot back if they 're shooting at you, but it's still not okay to eat them afterward.
There's just some kind of men you have to shoot before you can say hidy to 'em. Even then, they ain't worth the bullet it takes to shoot 'em.
For the first time in my life, I was in a shoot-out. A real, honest-to-goodness shoot-out with a bad guy. And, apparently, we both sucked.
This isn't about keeping mountains looking pretty. Ending mountaintop removal is about keeping humanity alive.
The woman looked out at the madness of the world and dared to hope. Her eyes were burning coals of stars.
No one's life made sense on paper. You cannot condense a person into facts.
Geography and mileage mean nothing. Separate is a single word that covers all distances that aren't together.
I had a dream that I saw shooting stars with you. Two things that will come close to never happening: Seeing shooting stars, and being with you.
Four months after we finished shooting, I'd been in New Orleans shooting another movie and my agent and I were having a bite to eat - actually in London - and he's sitting there and goes, 'Wow, I just can't believe how ripped you are.'
