This one, even though it called for San Francisco, I think they wanted to initially shoot part of the film up here, you know get the exteriors and then go back to L.A. We really fought to get it up here and I think Paramount was really pleased.
I'm going to try to pull a Natalie Portman. Natalie went to Harvard while shooting 'Star Wars'. I don't know how she did it. I want to have lunch with her and ask her - that seems like a bunch of stress right there.
When I'm shooting on location, you get ideas on the spot - new angles. You make not major changes but important modifications, that you can't do on a set. I do that because you have to be economical.
While actors play with guns for make-believe, the guns themselves are by no means make-believe; they're real. Even when the actor is using blanks, there are all kinds of safety protocols to follow when shooting one at someone. Pulling the trigger is ...
It's like pulling teeth to get me to do photo shoots. And I don't mind doing interviews if they're by phone, but I hate to go sit down and have to meet somebody somewhere, you know what I mean.
When I first starting conceiving series like 'Courtney,' 'Polly,' 'How Loathsome,' etc., I was shooting for closed story-arcs but open-ended concepts. Then I started realizing I was committing myself to potentially endless series.
Montrose decided then and there that a full library, one made of old-fashioned paper books with bindings, the kind that cannot be electronically re-edited by anonymous lines of hidden code, was just as much a necessity for a free man as a shooting ir...
I'm busy working on every aspect of my game - defense, shooting, rebounding - but I really want to become a better overall team player. Help my teammates become better players out on the court in order to win more ball games.
You see a lot of European influence coming in with bigger guys having a larger skill set, shoot the ball, handle the ball, pass the ball. I'm hoping that'll develop into something I can do.
Who doesn't want to shoot for 'Vogue?' I remember updating my Facebook status to say 'Doing 'Vogue' today', it was so exciting. I thought it would be really intimidating, and I don't like photoshoots, but that was the most relaxed one I've done.
Any project that you shoot, it's never going to be completely finished the way that... I don't think I've ever worked on anything where every scene has been kept in the order that it was originally in, or that it hasn't been cut down in some way.
The Cruise missiles do not frighten anyone. We are catching them like fish in a river. I mean here that over the past two days, we managed to shoot down 196 missiles before they hit their target.
I went across the fields to avoid the straight highways, along the firing lines where people were shooting at a small wooded hill, which is now covered with wooden crosses and lines of graves instead of spring flowers.
On my left the shooting had the sharp explosion of the infantry artillery, on my right could be heard the sporadic cannon shots thundering from the front, and up above the sky was clear and the sun bright.
It's hard when you see a scene where it's raining, and we have the rain machine, and you see it for 5 minutes, but that scene takes all day to shoot, and you do it with rain, and the dry off, and go back and do it again.
People ask me what the appeal of 'True Blood' is and I think there are so many answers to that question, but I think that when there is so much excitement for what you do there is no way that that doesn't become palpable and comes shooting out like b...
For 'Vikings,' we have to do so much outside shooting, and it's normally - I think with American shows, it'll be 60 or 70 percent inside and a little bit outside, but with us, it's almost 70 percent outside, and that's huge and really difficult.
It is, after all, far too easy to pinch and kick the bizarre Mormon Church; to say it's ripe for satire and parody is to say a Catholic schoolgirl is ripe for debauchery. It's like shooting polygamist fish in a barrel of coffee.
An estimated 9,000 American citizens are killed every year by illegal aliens. That's 25 American citizens per day killed by illegal aliens, averaging 12 by stabbings and shootings and 13 by DUI and related crimes.
The same stream of life that runs through my veins night and day runs through the world and dances in rhythmic measures. It is the same life that shoots in joy through the dust of the earth in numberless blades of grass and breaks into tumultuous wav...
In orthodox film-making, you never shoot sequentially - but with improv, obviously every move you make has a knock-on effect; it is a cumulative process. I have improvised, on the non-scripted 'Timecode.' It can become entirely indulgent: actors smas...
