Blonde Female Reporter: [making her way through the crowd leaving the courtroom] Joe! Hey, Joe! Falcone says, "Hi." [takes out a gun and shoots him]
[during a robbery, a bank guard pulls a gun on Clyde. He responds by shooting the hat off the guard's head] Clyde Barrow: Next time, I'll aim a little lower!
Eversmann: You brought your gun? Todd Blackburn: Yes, Sarn't! Want me to shoot? I'm rested. Eversmann: When'd you get in? Todd Blackburn: Just now, Sarn't.
[thinking Marty is an alien] Sherman Peabody: It's already mutated into human form! Shoot it! Old Man Peabody: [firing shotgun at barn] Take that, you mutated son of a bitch!
Broadway Lady: [sees Riggan on the roof] Hey, is this for real, or are you shooting a film? Riggan: A film! Broadway Lady: You people are full of shit!
Little Bill: My wife has an ass in her cock in the drive way, all right? I'm sorry if my thoughts are not on the photography of the film we're shooting tomorrow.
Rocco: That was funny, wasn't it? That was real fucking funny, huh? Huh? Bartender: Not me! Not me! Rocco: [shoots him] It was FUNNY! FUNNY! FUNNY! FUNNY! [gun clicks empty]
I'm not a very efficient filmmaker. There's a lot of guys, filmmakers like the Coen Brothers who shoot a whole movie and maybe don't use 12 setups. I'm in awe of people like that; I'm just not that guy.
I wish I could be the black woman Soderbergh, and put the camera on my shoulder and shoot beautifully while I directed.
It is not as though the process of production holds any mystery for me, I know exactly what it involves and I know the predominant concern in shooting one of those things is production values - or as they would say, seeing it all up there on screen.
I remember Tyra Banks giving me encouraging advice during my first Victoria's Secret commercial shoot. I was so nervous, and she told me to just relax and be confident - that made me feel very comfortable.
After making a movie, maybe you weren't able to shoot many of your ideas, because a movie is only 1 1/2 or two hours long, but TV gives you space to film a lot of things.
Aim at a high mark and you'll hit it. No, not the first time, nor the second time. Maybe not the third. But keep on aiming and keep on shooting for only practice will make you perfect.
We're about to shoot an episode on Air Force One, for instance, and we're going to take liberties, small liberties, with Air Force One, as we take small liberties with our White House set.
Every single director-actor I talked to, from Warren Beatty to Clint Eastwood to George Clooney, said the biggest mistake they made is not shooting enough footage of themselves.
In Jamaica High School in New York, my coach was Larry Ellis, and he said I could probably make the Olympic team. He gave me something to shoot for.
I think film requires a lot more patience and concentration and each day you're keeping the entire picture in your head throughout a two to three month film shoot. Whereas TV, especially half hour, is like doing a play a week or live theater.
You know, sometimes I think there should be a rule of war saying you have to see someone up close and get to know him before it's OK to shoot him.
Always dream and shoot higher than you know you can do. Do not bother just to be better than your contemporaries or predecessors. Try to be better than yourself.
I was shooting for a Telugu film at the Taj Mahal in Agra, and there were all these women and children pointing and screaming , 'Rowdy Rathore.' But I am not really 'Rowdy Rathore.' I am the guy who did the original version of 'Rowdy Rathore' six yea...
The Industry's at war. I think it's about control. You can make all of the financial arguments that the industry has been shooting itself in the foot, but it is an industry built on a foundation of ownership and exploitation of intellectual property ...
