Dalton Russell: You're too fucking smart to be a cop. [He points a gun at Frazier] Dalton Russell: Now get the fuck out of here. Keith Frazier: What? You gonna shoot me? Go ahead, shit, you got nothing to lose, I damn sure got nothing to lose, so go ...
Carl Showalter: [irately, over the phone] Alright, Jerry, I'm through fuckin' around! You got the fuckin' money? Jerry Lundegaard: [into the phone] Yeah, I got the money, but... uh... Carl Showalter: Don't you fuckin' fuck me, Jerry! I want you to ge...
The girl was cinnamon colored in the way of Native America after it had been raped by Europe.
Juno MacGuff: Nah... I mean, I'm already pregnant, so what other kind of shenanigans could I get into?
A long time ago I learned that an atheist and a believer trying to have a discussion about God and religion is like shooting the breeze and having it shoot back.
The moment when you find out when you shoot the pilot - getting the pilot is a small victory. You shoot the pilot, and when you get picked up, that's a huge victory right there.
During my first photo shoot, I was unhappy because they put so much makeup on me and straightened my hair. I've been stubborn ever since.
There is always this perception that you want to shoot for the top, but I think there's this great place to shoot for the middle and get consistent work and try different things and do the work you want to do with the kind of people you want to do it...
If we get to shoot the third one, which I'm really hoping we do, the third one's great. There's a big uprising and rebellion, and my character Gale's a big part of that. If we get to shoot that, I'll be very, very pleased.
I am going to be on 'True Blood.' It was really exciting. I had a great time shooting it. I spent the last nine months shooting this season and it was very secretive, very sexy, a lot of blood and fangs.
Before a shoot, I'll watch what I eat. During the shoot, I watch what I eat. Afterwards, the first thing I do is go have a steak and French fries.
I had the feeling that Sarajevo was the perfect place to shoot the film I wanted to shoot. It is the perfect illustration of purgatory.
When you're working with film, you can only shoot one angle at a time, and then everything has to stop, and you re-light it and shoot everything else from the opposite side, so it's really important that you stick exactly to what's written.
On 'B&B,' we shoot so fast and eight episodes a week, so we have to always be on our A-game. There's really no time to make certain adjustments. We usually shoot a scene in one take, maybe two or three only if needed.
Dr. King Schultz: [to Django after shooting Calvin] I'm sorry... [pause] Dr. King Schultz: I couldn't resist. [Butch raises his gun and shoots at Schultz]
Coach Norman Dale: I've seen you guys can shoot but there's more to the game than shooting. There's fundamentals and defense.
Shooting in sequence, I think it intensifies everybody's relationship, the crew, the actors. You have to be very focused, and shooting at night is a challenge because you get tired. I think it requires a special kind of concentration, but it's also e...
McKnight: Now, there will be some shooting. Bakara Market is the Wild West, but be careful what you shoot at because people do live there.
Brown: Put down the gun and step away from Sergeant Sullivan! Billy Costigan: Look, I called you. You specifically. You know who I am. I'm not gonna shoot. I told you to meet me downstairs. Colin Sullivan: Help me. Brown: PUT THE WEAPON ON THE DECK A...
Django: [Django shoots Billy Crash in the arm; he falls to the floor injured and wailing] Billy Crash! [pause] Django: Now, where were we? Oh... that's right! Last time I saw you, you had your hands around my- [Django shoots Billy Crash in the genita...
[Tuco is in a bubble bath. The One Armed Man enters the room] One Armed Man: I've been looking for you for 8 months. Whenever I should have had a gun in my right hand, I thought of you. Now I find you in exactly the position that suits me. I had lots...
