TNT is a really great company to do a show for. They really believe in their shows and give shows a lot of support. They have it all worked out before you start shooting. Everybody's on the same page.
Does 'Shooting Fish' have less artistic merit than a play like 'Angels In America,' which I did? Well, probably. But it's good for something.
I am a total believer of making the process a good time - make it memorable, have some fun, try to shoot high in your quality and then don't get crazy, see what happens.
I've never put myself in the mindset that I'm actually any good at taking pictures, I just love to shoot things that catch my eye, whether it's landscapes or just my kids.
I like an occasional glass of wine, though I don't drink before a shoot or a show - blotchy skin is not a good idea, however good your make-up artist.
Apparently, I'm very good at firing a gun without blinking, which is unusual. That's why so many action characters have to wear sunglasses during shoot-out scenes. That's my party trick.
On 'Stranger Than Fiction,' the script was so good that I stuck to every line because it was just such brilliant writing from Zach Helm that I felt like I really just want to shoot the page.
Without a good cultural policy, without adequate help, we will always have individualists, shooting stars who are rapidly forgotten or who stop painting for a more profitable occupation.
I can't go and shoot people in the back of the head because It's a kids' movie, which is actually quite a good test because you haven't got the overt threat of a knife in the face.
Certainly for my father, there were great times, good times, not-so-good times. He might be shooting a Fellini film for six months, then not working for two months. I'm used to that dynamic.
There was really no friendship in modeling, though a certain amount of warmth comes from running into models you know on shoots, because you end up in so many unfamiliar places, from Alaska to Africa.
It's funny, I started by making fake American movies, 'The Transporter' and stuff like that. I was shooting in France, but everything was in English. But then afterwards, I was looking at real French movies like the Jacques Audiard movies.
I come from a background of hanging out with friends and shooting videos with them, with funny stuff coming out of the group. I guess we got the same charge jocks get out of sports.
I think that one of the strengths of Cop Shoot Cop lay in the different, and at times, clashing personalities, Ideally, I want to have both ways of working in my life.
No week is ever the same in my world! An average week in my life changes based on my shooting schedule, if I'm promoting a project, or anything else I have going on.
When we shoot 'Scrubs' I spend every waking hour of my life in an abandoned and haunted hospital. All I can date there are ghosts and they tend to be horrible snugglers.
My Soul to Keep is the ultimate love story with a black man and a black woman. I call it the ultimate love story. It's about an immortal. We're shooting for this Fall and that's been a six year development right there.
I love stage work. The thing about plays is that they're perfectible. With film, you shoot that take and maybe another. During 'Spamalot,' I rewrote Act II three times.
I'm envious of actors. You shoot a movie or you do a season of 'Big Love,' and then you're on hiatus and you have a bunch of free time.
I'll always love movies. But there's something I love very much about TV, when you shoot episodes while other episodes are still being written.
We would all love to walk up to someone and shoot them in the head, there's no doubt about that. We're too civilised to admit it, but we're happy to read about it.
