[Marv's last line, blood pouring from his mouth, after the first shock from the electric chair] Marv: Is that the best you can do, you pansies? [They shock him again]
Marv: Wait a second. Why'd she call you Wendy? Wendy: Because that's my name, you ape. Goldie was my sister. My twin sister. Marv: I guess she was the nice one.
Jack Rafferty: You want to see it? You wanna see what I got? Becky: I've seen all shapes, all sizes. Jack Rafferty: [pulls gun] You seen this one? Get in the car.
Priest #2: [Before Marv's execution] Yea though I walk through the valley of the shadow of death... Marv: Would you get a move on already? I haven't got all night.
Becky: Sure, there's money. Sure, you can move my mom into Old Town, and let her know that her daughter's a goddamn whore. Schutz: [sarcastically] Breaks your heart, doesn't it?
Beggar Woman: [singing about Todd and Mrs. Lovett's incinerator] Smoke! Smoke! Sign of the devil! Sign of the devil! City on fire!
Bud Fox: This is really a nice club, Mr. Gekko. Gordon Gekko: Yeah, not bad for a City College boy. I bought my way in, now all these Ivy league schmucks are sucking my kneecaps.
Private Henry Hook: [after being ordered to help prepare for the Zulu attack] What for? Did I ever see a Zulu walk down the City road? No! So what am I doing here?
Because I'm seen on 'Oz', a lot of the urban cats in the city are like, 'Yo, I thought you'd be rolling in a Mercedes?' And I'm just like, 'Not at all!' This is cable money. There is a big difference between that and a network. But still I can't comp...
So that's why I said, if you look at the average, you would see the money New York got this year was in line with the average across the prior three years and substantially more, by a country mile, than the money given to any other city.
Nature is impersonal, awe-inspiring, elegant, eternal. It's geometrically perfect. It's tiny and gigantic. You can travel far to be in a beautiful natural setting, or you can observe it in your backyard - or, in my case, in the trees lining New York ...
Kabul is a walled city, which sounds romantic except the walls are pre-cast reinforced concrete blast barriers, 10 feet tall and 15 feet long and moved into place with cranes. The walls are topped with sandbags, and the sandbags are topped with guard...
Curitiba is not a paradise. We have all the problems that most Latin American cities have. We have slums. We have the same difficulties, but the big difference is the respect given by people due to the quality of the services which are provided.
I have a concept of Naples that is not so much of a city, per se, but rather an ingredient of the human spirit that I detect in everyone, Neapolitan or not. The idea that 'Neapolitanism' and mass ignorance are somehow indissolubly linked is one that ...
It's a common theme around the city of New Orleans; we're resilient people because we have to be. We love this place with all of our heart and all of our soul and I just wanted to try to do something that I could to help make it better.
'All In' is like the Giants motto, so I kind of took that, and I kind of used New York as the backdrop - how diehard New Yorkers are for their team. Me being a New Yorker, I just had to show my love for the city as well as my love for the New York Gi...
I can't read music. Instead, I'd do stuff inside the piano, do harmonics and all kinds of crazy things. They used to put me in these annual piano contests down at Long Beach City College, and two years in a row, I won first prize - out of like 5,000 ...
Each year, every city in the world that can should have a multiday festival. More people meeting each other, digging new types of music, new foods, new ideas. You want to stop having so many wars? This could be a step in the right direction.
I'm the same kid who used to hop the trains with headphones and just go to downtown Manhattan, walk around and listen to music or walk through the city. The fame restricts that. It's a small complaint in comparison to the benefits I get from it, but ...
'Hound Dog' took like twelve minutes. That's not a complicated piece of work. But the rhyme scheme was difficult. Also the metric structure of the music was not easy. 'Kansas City' was maybe eight minutes, if that. Writing the early blues was spontan...
I came to N.Y.C. in 1988 and got very involved with Act Up. I also started making movies, including two very gay shorts, 'Vaudeville' and 'Lady.' It was the height of the AIDS epidemic, and New York City was both dying and very alive at the same time...
