The funny thing about mundies is how obsessed with magic they are for a bunch of people who don't even know what the word means.
Wait a second," Clary said. "I never understand why people say that," Luke said, to no one in particular. "I wasn't going anywhere.
I figured all your classes were stuff like Slaughter 101 and Beheading for Beginners." Jace flipped a page. "Very funny, Fray.
It's a girl," Jace said, recovering his composure. "Surely you've seen girls before, Alec. Your sister Isabelle is one.
Of course I can see you. I'm not blind, you know. Oh, but you are. You just don't know it.
And next time you're planning to injure yourself to get me attention, just remember that a little sweet talk works wonders.
It's not gray," Clary felt compelled to point out. "It's green." "If there was such a thing as terminal literalism, you'd have died in childhood," said Jace.
What?" Jace was still staring at her as if she'd told him she'd found one of the Silent Brothers doing nude cartwheels in the hallway.
The boy never cried again, and he never forgot what he'd learned: that to love is to destroy, and that to be loved is to be the one destroyed.
Shouldn't we stand back to back or something?" "What? Why?" "I don't know. In movies that's what they do in this kind of… situation.
There's only one thing you can do: Toss your pebble in the river, watch it ripple, and know you have moved the ocean.
Maybe they didn't make vampires out of ugly people. Or maybe ugly people just didn't want to live forever.
This world's a city full of straying streets, and death's the market-place where each one meets.
When my father was growing up inside the Old City of Jerusalem, he and his friends liked to trade desserts after diner.
America will be far safer if we reduce the chances of a terrorist attack in one of our cities than if we diminish the civil liberties of our own people.
The rate of innovation is a function of the total number of people connected and exchanging ideas. It has gone up as population has gone up. It's gone up as people have concentrated in cities.
Philadelphia loves its team, and being able to win a World Series for the city, fans, players and our Phillies organization meant so much to me.
Los Angeles, Houston, Denver, Atlanta: those are all cities that really didn't get big, didn't hit their stride until the 20th century.
My piece in One World or None was the description of the effect of a single atomic bomb on New York City.
She tries to get a waitressing job for a while - I mean, she's looking for a while before she finds Coyote Ugly - and it's hard to get a waitressing job in the city.
I didn't know a soul when I got to New York, and I felt really displaced. The first week I was euphoric, and then I realized how isolating the city can be.
