I can be alone without being lonely. In fact, those times of solitude are necessary respite for a beleaguered soul, set upon by the pressures of life. I need to take whatever moments I can to just be still.
When I set out to write crime fiction, I didn't think to myself, 'I'm going to model myself on Agatha Christie' or 'I am going to be a crime writer in the Christie tradition'.
I don't have much of an attention span for TV - I nod off during the basketball playoffs - but when I watch 'Game of Thrones' on On Demand, I'm glued to the set. It's mystical and addictive. Tyrion Lannister, that's my man.
If we talk Lies, we have to tell another set of lies to cover the first lie! And most of the time we forget what we told the first time ! If we tell the truth, we don't have to remember anything.
On a studio film, you don't have to worry about running out of film or messing up your costumes; you have five other sets of it. Studio films make you the most comfortable so you can just act.
It didn't take me very long to realize that modeling wasn't very satisfying. I was always asking people, 'How are you going to set up this shot? How will it be lit?' And they'd say, 'Stop. Just pose.' I had a problem with that.
When thinking through who to bring together to generate new ideas, it is more effective to combine specialists from very different and unrelated disciplines rather than a variety of people with different skills sets in the same field.
I've got a quick mouth, and I set my boundaries. Nothing ever happened that I couldn't handle. Once when a guy came on stage making rude gestures, I hit him over the head with my guitar.
I don't feel isolated on a film set. In a way you do because you don't really mix with the outside world; you're just sort of working non-stop for a few months, but you've got so many people around you.
When I'm shooting on location, you get ideas on the spot - new angles. You make not major changes but important modifications, that you can't do on a set. I do that because you have to be economical.
It's very difficult to fill the shoes of somebody like Rahul Bhai. He has set the bench mark for a generation to come. However, it's our responsibility to carry forward his legacy.
The Reckoning The time has come for Retribution A time for Redemption, A time for Forgiveness A time for Renewal, A time to prevail My love will set you free my darling. Our love, forever bound. -SL Ross
I don't really have a process. I'm very much an in-the-moment actress. I suppose I just kind of wing it because I feel that as long as I know my character, I should be able to be spontaneous on set.
The most important precedents deal with the whole idea of symbolic programming - the notion of setting up symbolic expressions that can represent anything one wants, and then having functions that operate on both their structure and content.
So I'll set a cycle in motion and pop it into record and I'll lay down a drum pattern, a bass line, a keyboard and guitar part, and once the groove is going I launch into the song and sing my song over the top.
There is the danger of over preparation, of loss of spontaneity; over rehearsal is the most terrible thing you can imagine. We do have a very close association between costume and set designer, though. And the cameraman is very important, of course.
One simple kindness toward another person can be the seed that paves the way for them to set their life's course on a path that creates more positive changes in the world than we could ever hope to make in many lifetimes.
Well, I think again, the worst part of it was just leading up to it, before we got on set, at least for me... dreading this idea that I was just going to suck and I really had strong feelings about that. I just didn't want to be that weak link.
The reality is that I spent years in the factories in Italy when I first set up Jimmy Choo. Today, everyone who has a job at Jimmy Choo, I've done their job - right down to the cleaner.
Party and ideology routinely trump institutional interests and responsibilities. Regular order - the set of rules, norms and traditions designed to ensure a fair and transparent process - was the first casualty. The results: No serious deliberation. ...
Sir Gordon Richards was the most successful jockey - flat or jumps - there's ever been: champion jockey for 26 years. He set a record of 269 winners in the season 55 years before I broke it. That was my greatest achievement.
