It's very different working with all adults. I have a swear jar so that, if they have a potty mouth, I make them pay. That's what it's like being on set with adults.
Only those within whose own consciousness the sun rise and set, the leaves burgeon and wither, can be said to be aware of what living is.
X outlawed ⇒ only outlaws will X, where X ∈ {G : people who care about G aren't all that interested in set theory anyhow}.
People should be free, people should be unencumbered by regulation as much as possible, that big government always goes corrupt and the truth shall always set you free.
To be always intending to make a new and better life but never to find time to set about it is as to put off eating and drinking and sleeping from one day to the next until you're dead.
Sometimes I know a joke I'm going to yell out ahead of time, but most of the time it's stream of conscious. You never really know it until you've got everyone dressed up, the set is built, all the extras are here.
I really like being on set when you've all moved on a job because it makes you bond very quickly. You're all out of your time and comfort zone, so you kind of only have each other.
Every collaboration helps you grow. With Bowie, it's different every time. I know how to create settings, unusual aural environments. That inspires him. He's very quick.
We found evolution will punish you if you're selfish and mean. For a short time and against a specific set of opponents, some selfish organisms may come out ahead. But selfishness isn't evolutionarily sustainable.
The thing you have to understand is that there are only so many things you can do in a year. There are only so many days in a year. There is only so much time you can set aside for certain projects.
When you stop being nervous is when you should retire. I'm always a little nervous for anything I do because when complacency sets in, that's when I feel it's time to move on to something else.
Even though there is rampant unemployment in many parts of the world, there are still large numbers of jobs that are going unfilled because employers are having a hard time identifying people with the right set of skills.
I never set out to write prayers at all. But there was a span of time when I didn't find it easy to pray, but, when I went to write one of the things I had to write, a prayer would come.
With all of the qualities of the scene-setting, the dialogue, the place and time and the time and place in which your characters move. And I want to move with the characters, move with them and describe the world in which they are living.
I've been on projects before where there's no rehearsal, and you walk in on set and that's literally the first time you've ever played the character, and then I've had times where there's been three weeks of rehearsal. I like both.
I spend a lot of time on the 'Glee' set. A lot of time. Luckily we have to dance and rehearse, so we're always moving, but having such a tight schedule can make it hard to find the time to exercise. It's definitely a struggle!
I was a tried seaman when, for the first time, I set foot upon the soil of my country, and took up my residence where my people had lived for over two hundred years.
At a time when the insurgents are saying that time is working against them, my Democratic colleagues are introducing a measure to set a timetable for withdrawal in Iraq that will undercut the momentum that the insurgents themselves say we have built ...
I've always set my stories in places I know well. It frees me up to spend more imaginative time on the characters if I'm not worrying about the logistics.
As time goes on, I realize more and more that, beginning in the early 30's, David Smith began setting the precedent for what was to come later for many of us.
Facebook, from what I can tell, is the virtual equivalent of dropping into the homes of several million people, all of whom say at the same time: 'Hey! Let's set up the slide projector!'
