People don't want lots and lots of single purpose devices. They do not want to have to learn how to set up something for photos, another thing for music, another thing for video.
But there are rock and roll fans all over this continent and all over the globe, really, and we're just set at marking the planet with Styx music until the day we die.
Now the big question is if you are going to go to all the trouble of setting an opera and making all that music and so on, there's got to be some aspect that you can do in an opera that really makes it worth while.
For 30 years, which I never talked about in Hollywood, I actually worked with doctors lecturing and doing some medical intuitive counseling both in a medical setting and for the community at large.
I set up a laboratory in the Department of Physiology in the Medical School in South Africa and begin to try to find a bacteriophage system which we might use to solve the genetic code.
If I'm on location on some island, we usually get up at four in the morning to set up. By seven thirty, we're on the beach working until noon, then we rest. It's not exactly a vacation.
We are also fortunate in being in quite a sheltered environment, in terms of people moving on to do other things, because there are relatively few companies in Scotland that are looking for the skill set that we've developed.
You know, men would much rather run away than talk about stuff, and my default setting has always been, 'If you have an argument, walk out the door.'
In almost every marriage there is a selfish and an unselfish partner. A pattern is set up and soon becomes inflexible, of one person always making the demands and one person always giving way.
I want to get into producing and writing more for myself - setting up my own films and seeing what kind of personal touch I can put on movies, as opposed to just being in them.
I never set out to build some behemoth comedy career. My taste in movies is far more eclectic than that so my aspirations as a filmmaker are far more eclectic than that.
Duets is about six people, so it's like three different movies - three different duets. I was on the set 18 days, spread out over three and a half or four weeks.
I graduated high school and I didn't have a skill set and I didn't want to go to college. I needed a job.
I research every part thoroughly. I talk it out with my actor friends, but then I throw it all away when I get to the set. You have to be spontaneous.
The more we reduce ourselves to machines in the lower things, the more force we shall set free to use in the higher.
I believe that the only way that the human race is gonna survive is to start colonizing space and setting up colonies on the moon, and then space stations.
I couldn't say I ever dreamt of becoming a composer, a pianist, or anything else for that matter. I have the kind of brain where nothing is set in stone.
Many Mexican directors are scared to shoot in Mexico City, which is why there are many stories in Mexican cinema about little rural towns, or set a hundred years ago.
I think you can have a ridiculously enormous and complex data set, but if you have the right tools and methodology then it's not a problem.
It was by listening to Goodman's band, that I began to notice the guitarist Charlie Christian, who was one of the first musicians to play solos in a big band set-up.
I once dealt with a prima donna on a movie set. I won't say who, but his first name is a country. A communist country. Run by Fidel Castro.
