I will not deny but that the best apology against false accusers is silence and sufferance, and honest deeds set against dishonest words.
People are often afraid for me. They think that I am going to break. I can make it through a set.
With films, you get to develop a set of characters, and then, at the end of the film, you have to throw them away.
I never deliberately set out to shock, but when people don't walk out of my plays I think there is something wrong.
In his 30 years of broadcasting and publishing fiction, Garrison Keillor has set the laugh bar pretty high.
I screw up on the delay settings, so pretty much everything is manually done by me - I don't have those presets like the Edge has.
With most of my books, I'll actually go out and look at the setting. If you describe things carefully, it kind of makes the scene pop.
The jazz clubs wind up having only rich tourists - the kids can't come. If they do, then they spend their entire monthly allotments on a 45-minute set.
Four hoarse blasts of a ship's whistle still raise the hair on my neck and set my feet to tapping.
But we're all so different, we're different ages; we're not vying for the same roles. There's no competition, there's really kind of a sisterhood, on and off the set, you know?
The Amusement of every second is not a tolerable limit.But as it is, now it's all set on the highest limits of the sky.Mind Body Spirit,learn Transcend Teach.
Writing is so much more productive when it is set on fire, for then and only then can you feel the passion spewing forth from the writer’s heart.
If Broadway no longer seems behind the times or ahead of the times, it may be because there are no 'times' anymore, no prevailing Zeitgeist that sets the fashion, pace, and prevailing look.
For several centuries what has passed for song in literary circles was any text that looked like the lyrics for a commonplace melodic setting.
A single prop that does not look real to an audience can louse you up. The same is true of the smallest flaw in setting up the motivation in a story line.
When I played pro football, I never set out to hurt anyone deliberately - unless it was, you know, important, like a league game or something.
Years have passed since I have set foot in a comedy club. If the comic is doing badly it's painful, and if the comic is doing brilliantly, it's extremely painful.
I slowly continued to compensate for the physical problems I was having and ended up completely destroying my swing, my set-up, my posture. Everything was gone.
I've won several Emmys, a Tony and a Grammy, so maybe somebody will let me have an Oscar, and then I'll have a full set.
I've never liked having like a set kind of schedule of training. Even when I was doing guitar lessons, I never used to practice.
The Beatles set the rules. And the rules were: now just because we have long hair doesn't mean that we're rebellious.
