It was not my dream to be an artist. How could it have been? I thought, artist, much like a leader, was something you either were or weren't. Never something you set out to be.
I used Vamps as a casting couch! I pretty much did, because I was casting 'L!fe Happens' while I was on the set of Vamps, and anybody I had ever worked with, I asked to be in this movie.
There's only so much you can do until you get on set and see the aesthetics of what you're dealing with. Then you see what the other players are giving to you. It's all about the transfer of energy between different actors.
I played a paraplegic on a show called 'Neighbours.' Just turned up on set, sat in a wheelchair. The producer came up to me one day and said, 'We have to cut around that entire scene because your leg was moving.'
In silent films, quite complex plots are built around action, setting, and the actors' gestures and facial expressions, with a very few storyboards to nail down specific plot points.
It means little to anybody but us. We set store by kinfolk. We've our troubles from time to time, but when one of us is in danger, there'll be help from any who are around.
With 'Holes' I was troubled that there weren't very many female characters. I tried to put them in where I could. But the setting didn't lend itself to girls.
When I am working it is up early and coffee and 15 hours of being on the set. When I am not working, it is up late and coffee, golf or softball and hopefully a ball game on the television.
In radio, you are the game, so to speak - you have to describe every aspect. In TV, I've always felt less is more, and it's really a question of my setting up the color analyst more than anything else.
I loved putting on stories as plays when I was just six. I was the director, the actress and the set designer; I cast my girlfriends in parts, and I suggested to the local kindergarten teachers that we do free performances for the children.
Comparing and contrasting is a valuable human skill - and not just during high school English exams. Our ability to rank-order things is invaluable in making choices and setting priorities.
WorldGate offers interactive set-top-box applications. Its customers want to interact with the Web as an adjunct to other things they can do, and WorldGate allows that through the layout engine in Mozilla, called Gecko.
Someone can tell you all your life that you’re inferior, but it doesn’t matter until you accept it and allow for validation. Once validation takes place, it’s then that the colonial malaise sets in like smallpox.
The biggest challenge has been simulating a tornado with wind machines and dirt and debris. Right when you walk on the set, you feel the energy of a tornado. But the hardest thing is trying to get dialogue out in all of that.
In creating the Harry Potter artwork, I try to bring a certain amount of realism and believability to the characters and setting, but still add an element of wonder and the unknown.
Where choice is set between cowardice and violence, I would advise violence ... I prefer to use arms in defense of honor rather than remain the vile witness of dishonor...
When you sit tranquilly, you set a great example to the people who rush around in panic and thus you show the crazy waves the beauty of being a calm lake!
Nothing spooky or terrible happened on set, but we were told to say it had. We were giving a press conference and the writers were going on about these terrible things that supposedly happened while we were filming.
I think what sets this one apart is that there are two horror movie icons finally battling each other. You actually see them beat the crap out of each other instead of just terrorizing the kids in the movie.
Few born liars ever intentionally embark in truth’s direction, even those who believe that such a journey might axiomatically set them free.
I've witnessed first hand the impact the Benchmark team has had on new ventures, and I believe their commitment to the entrepreneur and dedication to building companies of lasting value really set the firm apart.
