The simplest way to prepare Dungeness crabs is to boil them in the shell and set them in front of your guests with crab crackers or crab hammers, cocktail forks, and plenty of napkins.
I'm not the biggest horror fan. I get scared so easily. If I'm just walking on set, and someone taps me on the shoulder, I scream and jump and freak out.
There's definitely a whole different vibe on the set when there's like basically royalty working with us. We could have whatever we wanted. I felt like Britney Spears.
Well, she managed to - Barbara was capable of doing practically anything if she set her mind to it. In retrospect, I'm not surprised that Barbara managed to get collect calls through.
In so far as such a theory is empirically correct it will also tell us what empirical facts it should be possible to observe in a given set of circumstances.
With a Nine Inch Nails show, I'm building on a legacy that comes with a certain set of expectations. I have to push that forward, I have to reinvent myself, I have to feel current and valid.
The first set of lyrics for the first songs I ever wrote, which are the ones on 'Pretty Hate Machine,' came from private journal entries that I realized I was writing in lyric form.
Honestly, all the sweets and bad stuff on set don't really call to me because I'm working so much. I've trained myself to stay away from sugar.
My father believed, like Pericles, that a man's genius could be easily judged by the number of unenlightened fools set in phalanx against his ideas.
I guess what I learned about myself is I'm a bit of a socialist; I want everyone on the set to get equal treatment and credit.
That was my challenge as a composer. Like with anything, to keep yourself interested in doing what you do, you set yourself challenges. So I said, Okay, I'll try to write a hundred tunes in a year.
Jack made it very comfortable for me on the set. We'd met socially before but never worked together. You know, he's very professional, very disciplined and he's always prepared and knows his lines.
Judgment is more than skill. It sets forth on intellectual seas beyond the shores of hard indisputable factual information.
That's the way it happens - some characters you set out to use, some are happy accidents. As long as it works, it doesn't really matter how you got them.
Nobody would ever, ever get even remotely lippy about the Islanders with me, or there'd be bloodshed on the set of 'Entourage.' Everybody knows that you don't even go there.
When I worked on Altar Boys, they wanted to see us having fun. The four of us would have fun on set and steal each other's lines, and mess with the director.
I got a manager, and I thought, since I was going out on auditions, I should do this for a living. Then there was this moment on set when I realized I was having a lot of fun, and I really wanted to do this forever.
I want my kids to be in an environment where they can talk about values in a way that you can't always do in a public school setting.
For me, one of the most perfect times to watch a horror movie is when it's cold and raining outside and there's pretty much no outdoor activity to be done. It kind of sets the mood.
You have stripped from me the rank and privileges of the professorship and the doctoral degree which I earned, and you have set me at the level of the lowest criminal.
Set off on a quest to find someone who has read a book or many books and remains the same, and I can tell you with all certainty there is no one you will see.
