The Scouts are a private organization and have every right to set their own membership standards.
To me, 'Warrior' was a real turning point - probably one of the greatest experiences I've ever had as an actor on set.
I feel like the 'NCIS' set is where people are allowed to be the nice human beings they really are. That quality is valued there.
As the lead of a movie, you really set the tone off-camera as well, and that's a really big responsibility.
It seems that when anything aimed at kids catches on, it causes the collective antennae of the older set to go up.
I'm a very lucky man in this chapter of my professional life, 'cause I get to do jobs with wildly different skill sets.
We believe that, by the time that we leave office, it will be institutionalized, and these programs will be addressing the needs and curing the problem that we set out to do.
My time on the set is the least of my involvement. Most of my time is in pre-production and post-production.
One thing I've really never had a problem with was memorizing lines. Most of the time I don't memorize the lines until we're on the set shooting the scene.
I don't know if it's a blessing or a curse, but every time I show up on set it still feels like the first time.
It is odd but agitation or contest of any kind gives a rebound to my spirits and sets me up for a time.
I have to be happy in the here and now because every time you start focusing on your legacy you're really setting yourself up for disappointment.
Every video I do is over budget by the time I walk on set. I am massively extravagant in my personal habits.
I think the patterns are set very early when the kids are young. But at the same time, there are some flavors kids just don't like.
Nobody in Hollywood ever sets out to make a bad movie ever but about 99% of the time, that's what happens.
Gunnery Sergeant Hartman: Pick 'em up and set 'em down Pyle!
Cleve Jones: Anita! You liar! We'll set your hair on fire!
Jack Torrance: I'll just set my bourbon and advocaat down right there.
Part of the problem I find with money books is that there's this whole set of money books that make you feel almost guilty to spend a dollar.
The scope of material I can work with is not limited to the set of things that we inherit from nature.
There is no gilding of setting sun or glamor of poetry to light up the ferocious and endless toil of the farmers' wives.
