I see a really good tag on a building, a man passed out in the middle of the street, a couple hugging, a cop arresting a panhandler. I'm interested in how all these things are happening in one block.
The important thing is not to be too comfortable when you're writing. Noise in the street? That's good. The computer goes down? That's good. All these things are good. It has to be a little bit of a struggle.
I see kids and young adults walking the streets of L.A. with this enormous sense of entitlement, who seem to think that if they are basically good people and pay their bills, then the world will be good back to them. And I think life isn't always lik...
I'm a writer. I never expected to be recognised on the street. I never expected to get that kind of coverage, good or bad. I never expected to sell as many books as I have.
But the good news is that out in the countryside, just about every place that's got a zip code has somebody or some group of people battling the economic and political exclusion that Wall Street and Washington are shoving down our throats.
When I was living in New York and didn't have a penny to my name, I would walk around the streets and occasionally I would see an alcove or something. And I'd think, that'll be good, that'll be a good spot for me when I'm homeless.
I do have a really good memory. I mean, like, I can remember all the phone numbers of everybody on the street I grew up on.
I'm becoming more and more apolitical - I think the most revolutionary thing you can do is just live your life and have a good time. Before they scoop you up on the street or you die.
It's a blessing because the Baldwin vibe on the street is what I live for the most. I think our name is something that a lot of people get a good feeling about and brings a smile to their face, and we're very fortunate.
Manners is the key thing. Say, for instance, when you're growing up, you're walking down the street, you've got to tell everybody good morning. Everybody. You can't pass one person.
I just had a normal African childhood; we played football a lot, but it was always in the street and always without shoes. Boots were very expensive, and when there are seven in your family, and you say you want to buy a pair, your father wants to ki...
If you go back to the time of J.P. Morgan, the world of high finance was completely wholesale. The prestigious investment banks on Wall Street appealed exclusively to large corporations, governments, and to extremely wealthy individuals.
My apartment is the equivalent of one room in my Toronto home. Now I understand why New Yorkers are on the streets at all hours. People don't want to stay inside for fear they'll go crazy.
If you want to be a rock star or just be famous, then run down the street naked, you'll make the news or something. But if you want music to be your livelihood, then play, play, play and play! And eventually you'll get to where you want to be.
Tyler Perry's brand is faith, family and this whole thing that I've built, while my company, 34th Street Films, is like Disney's Touchstone. We can do anything. People don't know what to expect from me yet.
I am a person that when I go in the street, everybody knows me and goes: 'Oh, you are entering politics.' I want to do something positive for the future. It doesn't mean to become a leader of a party.
By creating an urgent crisis that can only be solved by those fluent in a language too complex for ordinary people to understand, the Wall Street crowd has turned the vast majority of Americans into non-participants in their own political future.
Just because someone has gone to an elite school and college does not make him smarter than the person who has grown up on street knowledge.
Real leaders have to live a paradoxical life, where they must break the rules in order to maintain them. If your expectations are high, you're setting yourself up for disillusionment. The land of governance is paved with gray streets, not black or wh...
New York used to be so much more than just a place to shop. It was life on the street for the eccentrics; it was an eccentric city. It had many different tastes. Now it's just one - a really rich one - with big tall glass buildings.
My parents were extreme left so everything was against the system. I was walking barefoot in the streets of Paris when I was eight. When I started to DJ they hated it, because for them, nightclubs, and all of this life, was terrible and fake.
