By definition a sequel can't be original. So you've got to figure out what worked the first time around.
I didn't really want to do another sequel. I go to those movies, and I just sort of enjoy them like a viewer.
Every beginning is only a sequel, after all, and the book of events is always open halfway through.
People have been driving off of the canyon for decades. I don't know of any that were accidental. One Ranger who worked here before I did told me that on several occasions, when cars drove off and folks died, they went down and collected the remains....
Yes, and imagine a world where there were no hypothetical situations.
Have you ever wondered how nostalgia isn"t what it used to be?
Though the Jazz Age continued it became less and less an affair of youth. The sequel was like a children's party taken over by the elders.
Imagination Is the 1st step to writing the sequel to your life. Dare to believe and you’re sure to receive.
I would definitely return to 'Neverland' for a sequel if there was the chance again because we all got on so well, and I think it will be great.
At Pixar, we do sequels only when we come up with a great idea, and we always strive to be different than the original.
I wanted to play a good guy after doing this lunatic on The Sopranos for two years. And then they did the sequel to Bad Boys, where I get to play the barking captain again.
At the major studios, you see people wanting to remake a TV series, wanting to make a sequel.
I was skeptical about doing Texas Chainsaw at first because it's such a cult classic. I'd seen some of the sequels and was not a fan of those.
I was keenly aware that everybody would have loved for me to do a close sequel or a spin-off to 'Marley and Me.'
Audiences can be leery of sequels; the studios make a hit, they see dollar signs, and they make a cheap rip-off.
'Abraham Lincoln: Vampire Hunter' is without a doubt the best film we are ever likely to see on the subject - unless there is a sequel, which is unlikely, because at the end, the Lincolns are on their way to the theater.
...ending a book with a sequel in such a way that the reader still has faith in the characters and in the writer. That's finesse.
The biggest difference in writing a sequel is that now there are expectations. But also - and this is the awesome part - now there are fans, too!
If a character dies, you get to do a big, juicy death scene. But the flip side is you're out of the sequel, which is where the real money is.
We had to do the same thing here. To top that sequel was quite a task. Mike had a couple of good conceptual humour and character ideas, which got me back into it.
Gentle With Them Thar Spurs'—a sequel to 'Riders of the Purple Sau-Sage.' Spurs was the feminist novel of its day…which was Tuesday." —Bats 2015
