There are certain common privileges of a writer, the benefit whereof I hope there will be no reason to doubt; particularly, that where I am not understood, it shall be concluded that something very useful and profound is couched underneath; and again...
Rhythm. Life is full of it; words should have it, too. But you have to train your ear. Listen to the waves on a quiet night; you’ll pick up the cadence. Look at the patterns the wind makes in dry sand and you’ll see how syllables in a sentence sh...
A schoolchild should be taught grammar--for the same reason that a medical student should study anatomy. Having learned about the exciting mysteries of an English sentence, the child can then go forth and speak and write any damn way he pleases.
Statistically, if you're reading this sentence, you're an oddball. The average American spends three minutes a day reading a book. At this moment, you and I are engaged in an essentially antiquated interaction. Welcome, fellow Neanderthal!
MYTH: Beautiful Writing Trumps All REALITY: Storytelling Trumps Beautiful Writing, Every Time
...what draws us into a story and keeps us there is the firing of our dopamine neurons, signaling that intriguing information is on the way.
If I ask you to think about something, you can decide not to. But if I make you feel something? Now I have your attention.
Glenn used to say the reason you can't really imagine yourself being dead was that as soon as you say, 'I'll be dead,' you've said the word I, and so you're still alive inside the sentence. And that's how people got the idea of the immortality of the...
English law in the 15th and 16th centuries, despite being manipulated in favour of the king, did to some extent offer protection against arbitrary arrest and imprisonment. Death sentences could in theory only be imposed after lawful judgment. Slavery...
I make a wonderful cure-all called Four Thieves, just like my mum did. It's cider vinegar, 36 cloves of garlic and four herbs, representing four looters of plague victims' homes in 1665 who had their sentences reduced from burning at the stake to han...
The ear is the only true writer and the only true reader. I know people who read without hearing the sentence sounds and they were the fastest readers. Eye readers we call them. They get the meaning by glances. But they are bad readers because they m...
Notoriously outspoken, his sentences always punctuated with profanities, General George S. Patton was the epitome of what a leader should be like - or so he thought. Patton believed a leader should look and act tough, so he cultivated his image and h...
Swoopers write a story quickly, higgledy-piggledy, crinkum-crankum, any which way. Then they go over it again painstakingly, fixing everything that is just plain awful or doesn’t work. Bashers go one sentence at a time, getting it exactly right bef...
I think I am less self-assured when I write English than I would be if I were writing in my first language. I have to test each sentence over and over to be sure that it's right, that I haven't introduced some element that isn't English.
I used to get stuck trying to find the first sentence of a story, then I realised that it was often because I didn't know what problem a character was facing in the story. As soon as I did, I could have the character trying to do something about it o...
The apostle Paul never seemed to exhaust the topic of grace - what makes us think we can? He just kept coming at it and coming at it from another angle. That's the thing about grace. It's like springtime. You can't put it in a single sentence definit...
When you reach the editing stage, it is often the case that you can get too involved with the story to detect errors. You can see words in your head that aren't actually there on the page, sentences blur together and errors escape you, and you follow...
So something that never should have happened did, all because of my thoughts and actions. A clear-cut cause-and-effect relationship. I was the one who caused it, and I should probably get the death penalty. Or maybe what I should say is I'm the one w...
Write down what your reader needs, no more, no less. Reading should be textured, but not obscure. Henry James could make an entire paragraph out of a single sentence. The reader is completely sensory deprived of the story until the words show the way...
The problem is once you've written the opening paragraph and worked out how the rest of the story will go in your head, there's nothing in it for you. I write in longhand using disposable fountain pens on the right-hand side of the notebook for the f...
So for me the approach has become to go into a story not really sure of what I want to say, try to find some little seed crystal of interest, a sentence or an image or an idea, and as much as possible divest myself of any deep ideas about it. And the...
