The technology actually seemed to come at just the right time to make the Hulk - Mark Ruffalo was really able to play both characters.
Technology makes everyone feel old. A laptop is old after two years. Someone always has something newer. Everyone seems to feel obsolete now, even the young.
That always seemed to be the most critical test that a child was confronted with - loss of parents, loss of direction, loss of love. Can you live without a mother and a father?
I love watching 'UFC' - Ultimate Fighting Championship - I don't know why, because I'm more of a coward than a fighter, but I seem to be very drawn to these blokes actually smashing each other to bits.
It seems to me that romantic comedies used to be about falling in love, but in recent years they've really become just comedies where the love story is only there as a spine to hang the jokes on.
I love writing music, but it seems I'm always writing words, so I don't get much time to do it.
In the gay (Catholic) community, it would seem, the maxim is: love the sin and love the sinner, but hate anyone who calls it a sin or him a sinner.
I fell in love with my wife twenty years ago. I am only now, it seems, getting it through my very thick skull how lucky I am.
I was worried for a while that it was some sort of reflection of me that all I seemed to be getting were these characters that were a tad bit loony. But I love it. Those are the most fun characters to play!
Certainly being in California has encouraged a sustained commitment to rethinking the nature, purposes, and relevance of the contemporary arts, specifically music, for a society which by and large seems to manage quite well without them.
The virtual choir would never replace live music or a real choir, but the same sort of focus and intent and esprit de corps is evident in both, and at the end of the day it seems to me a genuine artistic expression.
I always seem to feel that everything is about to cave in on me. I think that maybe music is my protection from that and in some senses it's an outlet to turn it into something euphoric: embracing the eventual decline.
There is a lot of work just in terms of traveling and logistics and people and gear and all that kind of stuff. But I never really have problems playing music. That never seems like work.
I never get tired of exploring Americana or country music, and I always have a little bit of a crooner in me that never seems to go away.
The only person who really impressed me with making new music is Cudi. Everyone else seems to be jumping on the same music, the producer-made stuff, but the one person that's made new music to me is Cudi.
I'm really fed up with all the credibility talk. A lot of times it seems to be more important than the music. Well, I guess for a lot of people it actually is. We don't care for credibility.
Inaudible prayers, particularly of the Canon, which at first don't seem to have anything to do with music, end up being a very important part of the aesthetic of the traditional structure of the Mass.
The music industry over there seems to treat America like it's one territory even though they got offices in different parts of America - they're still quite sort of 'America is the territory.'
The steps must be second nature to me, so that the music seems to be drawing the steps out of me and I don't look as if I'm struggling to fit the steps to the music.
I think it's a mistake where rap music is these days. It doesn't seem to be able to look out of the ghetto and that's ultimately unfortunate, because it defines our limitations.
I certainly have a fascination with pop music as a musical form, not necessarily as a lifelong commitment. I guess you could say I'm like a Casanova of music. I can't seem to settle down with one musical form.
