I love my boys. I love watching them growing up. I love seeing them develop, and I'm always looking forward to seeing what they're going to become and what they're going to be interested in later in life.
Living your life 40 floors up, looking out every day on ocean and skies, you see the world from a different point of view. It's like living in a very interesting fishbowl, but since no one can see up here, it's like a fishbowl with a limo tint.
When a movie opened - if you lived in New York, you would see it at Radio City Music Hall where it would play a couple of weeks, and then you moved on to the next movie. Now you can see it the rest of your life - it's going to be on Netflix and DVD.
I compare a lot of life to looking at a map through a straw. The less ability you have to see life in a humorous way, the smaller the straw is that you're looking at the map of life. You're not looking at the whole picture. You can't see the whole to...
When I go on the set, I'm so rushed. When I see the actors at rehearsal, when I love it, I want to keep the mood - my mood and the actors' mood also. So I have to push the crew faster. I don't want to lose the mood.
'Instructions Not Included' is proving that there is a huge Latin market that needs a special project. They love seeing their own people; they want to see themselves onscreen. In my case, I know them pretty well. I know what they laugh at. I think it...
I love what I'm doing most of the time, but it's hard work. People only see your albums in the charts. They see us at award shows and after-show parties. They don't know about your doubts, the hard work that goes in.
I love working with an audience. I love working with actual people who, you know, if they're moved, you see it. If you say something they're stunned by, you see their jaws drop. If they're amused, they laugh - that kind of reinforcement, I totally ad...
In my life, I have but one anchor and that anchor is my God. I think if you look closely enough, you can even see it in my eyes, you'll see a strong place, an anchor. That is God.
When you're on one of the Caribbean islands, sometimes it's hard to picture how they fit in with the rest, but when you see them all joined together like a necklace from space, you see the natural geographic connectedness of them all.
And for every project, because it takes years, you can see the early drawings and collages as just a simple, vague idea, and through the years and through the negotiations of getting the permit, you see that every detail is now clarified.
What I have in advance are people I want to write about and a problem or problems that I see those people encountering and that I want to explore - it all proceeds sentence by sentence, paragraph by paragraph, and scene by scene.
You have no idea what it is like to constantly disappoint people. You see it the moment you meet them. You see in their eyes that they expected something so entirely different, and here they are meeting... you.
I'll see a photograph of a character and try to copy them on to my face. I think I'm really observant, and thinking how a person is put together, seeing them on the street and noticing subtle things about them that make them who they are.
They really stay just characters to me. I look at them, and I don't see always the same person up there. And hopefully, people will see that too. Because it's very easy to bore people, and that's a killer. So hopefully that won't happen.
For I see not what there is desirable in publick esteeme, were I able to acquire & maintaine it. It would perhaps increase my acquaintance, the thing which I chiefly study to decline.
I sometimes think that I might be slightly autistic. There might be a syndrome that hasn't been named. I don't seem to see the world in the same way that most people I know see it. They don't seem to be baffled by it.
I see people as haunted by the selves they don't know... I don't have children, but I have nieces and nephews, and one thing I notice is how fascinated they are by stories of their lives before they can remember.
And from the look on his face I could see he was one of the lucky ones, one of those people who like doing what they're good at. That's rare. When you see that in a person, you can't miss it.
How are poets able to unzip what they see around them, calling forth a truer essence from behind a common fact? Why, reading a verse about a pear, do you see past the fruit in so transcendent a way?
The problem for me is that I can't ever really see who Gregory is, any more than I can see what a mirror by itself looks like, because he reflects whoever's around him.
