New York is a special place; it's a city that I love.
I love the fact that there is now a skate park in almost every city, but it will always have a rebellious/underground edge to it because it is based on individuality.
In cities like New York and Austin, there's much more of a social context for music than in other places.
I started as a journalist for magazines in New York City, so it was always storytelling. And moving into movies was a natural transition.
I have a few friends that have inspired me since I was a young kid. When I watch old films or modern movies - particularly 'Gladiator,' 'New Jack City' and 'The Skin I Live In' - I'll also get ideas.
The key to truly rebuilding our central city on a vital and sustainable foundation is people.
Manchester City have been in the doldrums for a while, they came up and went straight back down again.
I've been going to Granada for many years and 12 years ago bought a house a few miles outside the city.
A city that outdistances man's walking powers is a trap for man.
The ancillary aspect of every British city now is the council estate.
'Sex and The City' had very strong gag orders as to what we could say and not say.
Most of our cities built since the war are bland. They're modernist, they're cold, and now architects want to go back to that.
Everybody's trying to make every minute of the present last forever. Preserve every second.
And in that fraction of a second before anything actually happened, Santino Corleone knew he was a dead man.
A photograph is a moral decision taken in one eighth of a second.
In Hell... bad is good... and I am second only to the Devil.
For every minute you remain angry, you give up sixty seconds of peace of mind.
After five seconds there was a click, and the entire Universe was there in the box with him.
I don't want to have to give up me, in order to be his.
The truth can do years of work in seconds.
A changeableness, too, as if beneath my visible face there was another, having second thoughts.
