If a script comes together, and you end up liking the people who are part of it, that's when you can make magic happen. It's a huge combination of trying to find something you think you can deliver on and a director you think you can collaborate with...
I almost always do things that I like, in some form or fashion. Every once in awhile that means that I don't think the script is any good and I don't have any trust in the people, but the film is shooting in Sri Lanka, or somewhere like that, so I'm ...
I don't think I would be a good actor! People enjoyed 'Dancing With the Stars' because I was myself, and every time they told me to say something, I would say my own words, so I don't think I could follow a script well!
People would come to me and say, 'Jet, your Kung Fu is pretty good, do you want to be an action star when you grow up?' At 17, I was given the script and I went to make the movie.
If I get a script that's set in the jungle it goes to the bottom of the pile because I don't think the playgrounds are going to be very good there! I'm really aware of how lucky I am but I have the kind of job where I can bring my child to work.
As a teenager, in my songbook, I used to script what my lighting would be like. I used to dance in my roo;, it was like putting myself in a trance, and making myself feel good about things, almost like a private ceremony of begging people to like you...
I am very into lyrics. I start with what the words are saying, what the storyline is saying, like a good script. It should really capture me, do something for me. If I don't get it, it's not going to move people, and if it's not going to move people,...
I think the first thing I consider is whether I like the script. Once that is done, the next thing I look for is my part in the movie. Many a times you come across good offers, but the part they are offering might not be challenging. So, I don't take...
My dream was to play in good films, no matter in what country. I always waited for a decent script, and nothing has changed. I'm just sure that nothing in life is random, and I believe in the fate which guides you. Probably my starring in 'A Good Day...
I have come close to producing films. But generally by the time they hit the screen, there's about 50 people with producer credits, so what's the point. I usually find scripts I like with no money attached and take them to producers that I know and t...
I found Hollywood pretty bruising and uncreative. The executives are all in thrall to the boss, and spend their times double-guessing him or her, and trying to remember what he/she said and then applying them to the script, whether it was useful or n...
I remember I was unsure about doing 'Shameless.' I'd never acted in anything so commercial. I read the script in the garden with my mum, Mary. She said it's filthy dirty, but she said these people have love and sex and nothing else. That made me take...
I'm not one of those shoppers where I go to a store and I'm like, trying it on, I'm not sure, 'Oh, can you put this on hold?' No. It's either love it or hate it. And it's the same way with scripts. I usually know within the first 10 pages. If I don't...
I've been pretty lucky - or slothful - in that I've never been a 'career builder.' I take the jobs that come along that feel right, and that's left me fairly open to all genres, really. But with 'Caprica,' the complex, dark and very smart script was ...
When I do a novel, I don't really use the script, I use the book; when I did Apocalypse Now, I used Heart of Darkness. Novels usually have so much rich material.
The soap opera was so long ago - the thing about soap operas, and there's something to be said for doing it, but you do a script a day. I don't want to say it's a training ground; it really isn't, but what it does teach you is discipline.
Unfortunately, the public might not know that we get a script usually two days before shooting. So sometimes I'm shooting an episode and don't even know how it's going to end because I haven't read that yet.
When I read a script, if I feel it's written with the idea of just bashing other people, then I shy away from it. Sometimes it's some guy coming out with his own hatred, and I don't need to be a part of it.
I've worked on all sorts of things, like the sci-fi stuff for Vin Diesel, where the script is numbered and is in unphotocopy-able colours and your name is stamped into every page. And it doesn't really help because it creates a false sense of special...
When you have a script, and you're discussing what it can be, and who going to play what role, that's a kind of like a fantasy football game. You can imagine these different dream teams interpreting these characters that only exist in your head.
We have the script, we have the actors, and we're trying to figure out what this is, and you don't know what it is. You have to be open to what it's going to become rather than have this thing that you're trying to get to, which is boring.
