I love to see how a character unfolds off the page in a project. I don't always know how the character is going to turn out, even with the script being there. It's not always clear where that character is going to take me. Or where I will take them.
Miss Fontanne and I rehearse all the time. Even after we leave the theater, we rehearse. We sleep in the same bed. We have a script on our hands when we go to bed. You can't come and tell us to stop rehearsing after eight hours.
To try to create a character without a whole lot of information can be taxing. At the same time, it's fun to just stay on your toes and let the next bit of dialogue come in, and turn the page as you read the next script and see what they have in stor...
I won't read scripts because I have a limited amount of time. Why should I help other people do lame stuff when I can just go out and put on lame stuff of my own?
My agent sent me the script and I loved it. I wondered how they would turn me into a chimp. My agent said it would probably not entail to much time. Just some hair and make-up. I found out that it was not so simple.
Actors spend most of their time out of work, so I actually spend more time making furniture. The thing about furniture that's much better than acting is that it's just me. There's no director, no script - the concept is me, unless a client wants some...
There was a time when a musician was forced to act in a video. Seeing a singer step too far outside of his comfort zone to pour all of his high-school-drama angst into a poorly scripted scenario was a sight to behold.
For a long time, there was this rumor that I turned down doing 'Austin Powers,' which is not true. While they did send me the script, I don't think I was ever a serious consideration to direct it. I'm sure they probably sent it to 20 others as well.
Max Schumacher: She does have one script in which I kill myself: An adapted for television version of "Anna Karenina", where she's Count Vronsky and I'm Anna.
Joe Gillis: [Joe is reading Norma's script] Sometimes it's interesting to see just how bad bad writing can be. This promised to go the limit.
'American Playhouse' is very supportive of writers. That's really why writers like to write for 'American Playhouse' for very little money. They care about making your play, your script, not some network production. We're treated like playwrights, no...
Sometimes you take a job for the money, sometimes you take it for the location, sometimes you take it for the script; there are just a number of reasons, and ultimately what you see is the whole landscape of it. But I can tell you from behind the sce...
Madonna is that forbidden thing, the Nietzschean creative woman. Her preoccupation with a high level of work doesn't allow her to follow the usual script that powerful women are expected to follow - 'don't hate me for my success, don't hate me for my...
I'm a character and relationship guy, and even with the 'Saw' films, it's special-effects people's jobs to create these scary things. It's not my job. My job is to bring some sense of humanity to the character, no matter how evil he may be. The scrip...
A friend of mine wrote a script, a feminist romantic comedy. She had a feminist scholar consult on it. My friend said, 'Oh, my friend Gillian read it and really loved it.' She goes, 'Gillian Jacobs, you mean: Britta Perry, feminist icon?'
The first science fiction show on television was 'Tales Of Tomorrow' using scripts from the radio show 'X-1' which used stories from 'Galaxy Magazine' as its source material.
I've been getting a lot of science fiction scripts which contained variations on my 'Star Trek' character and I've been turning them down. I strongly feel that the next role I do, I should not be wearing spandex.
My English teacher always gave me scripts for plays, but I was into sports. My friend said there were small parts I could go up for, but the director gave me the part of Mozart, which was kind of the lead role. From then on I just loved it.
I love shooting, when the character is interesting and the script is interesting, but the research beforehand is really fun. The whole process makes me anxious and restless, and I have trouble sleeping, just trying to figure out the character.
Every time I get a script it's a matter of trying to know what I could do with it. I see colors, imagery. It has to have a smell. It's like falling in love. You can't give a reason why.
They are just really stupid people in Hollywood. You write them a script, and they say they love it, they absolutely love it. Then they say, 'But doesn't it need a small dog, and an Eskimo, and shouldn't it be set in New Guinea?' And you say, 'But it...
