Prot: I'm not tired. Brewer: I am. Prot: Perhaps you're getting too much sleep. All your beings seem to sleep a lot. Is that because it's so awful to be awake?
I'd done table reads for my own screenplays, and I always thought they were so much fun. Why couldn't we do these for other classic screenplays and bring them to life? You can experience live theater, where you get to see plays produced by different ...
A novel is utterly your own creation, a very private process. I think of a novel as a noun and a screenplay as a verb. In a novel, very little needs to happen; you can explore a person's memories and thoughts and fantasies. In a screenplay, it's all ...
I definitely want to do more movies, and I'm also a writer, so I have a few screenplays that I'm working on, one of them based off my one-woman show that I used to do in New York. Two of the screenplays I've written by myself, and then I'm also worki...
Hugh Laurie (playing Mr. Palmer) felt the line 'Don't palm all your abuses [of language upon me]' was possibly too rude. 'It's in the book,' I said. He didn't hit me.
Very nice lady served us drinks in hotel and was followed in by a cat. We all crooned at it. Alan [Rickman] to cat ( ): 'Fuck off.' The nice lady didn't turn a hair. The cat looked slightly embarrassed but stayed.
Jane reminds us that God is in his heaven, the monarch on his throne and the pelvis firmly beneath the ribcage. Apparently rock and roll liberated the pelvis and it hasn't been the same since.
Lindsay [Doran] goes round the table and introduces everyone -- making it clear that I am present in the capacity of writer rather than actress, therefore no one has to be too nice to me.
[G]reat stories communicate simple truths that reflect the poetic dimensions of the human soul. Not only do powerful characters help us understand our lives, their stories reflect our core values as human beings.
So I have 8 to 10 screenplays written and unproduced. And frankly, some of them are my favorite stories. I have a Western version of The Count Of Monte Cristo where the count has a clockwork hand. I have a screenplay called Mephisto's Bridge about a ...
I had gone to the bookstore, and while I hadn't bought any books on how to write a screenplay, I'd bought a couple of scripts so I could see how the formatting works. I just needed to know how a Hollywood screenplay looked on the page, which was some...
I don't generate a storyline and then fill it out in the course of writing. The story actually generates in the course of the writing. It's one of the reasons I've never been comfortable doing screenplays, because in order to get the contract for the...
Shooting Willoughby carrying Marianne up the path. ... Male strength -- the desire to be cradled again? ... I'd love someone to pick me up and carry me off. Frightening. Lindsay assures me I'd start to fidget after a while. She's such a comfort.
Edward finds Elinor crying for her dead father, offers her his handkerchief and their love story commences. Ang [Lee] very anxious that we think about what we want to . I'm very anxious not to anything and certainly not to think about it.
Shooting Willoughby carrying Marianne up the path. They did it four times. 'Faster,' said Ang [Lee]. They do it twice more. 'Don't pant so much,' said Ang. Greg [Wise (playing Willoughby)], to his great credit, didn't scream.
Screenplays are structure, and that’s all they are. The quality of writing—which is crucial in almost every other form of literature—is not what makes a screenplay work. Structure isn’t anything else but telling the story, starting as late as...
The fire alarm went off. Fire engines came racing; we all rushed out on the gravel drive, everyone thinking it was us. In fact, one of the elderly residents of Saltram had left a pan on the oven in her flat. Apparently this happens all the time. The ...
We've hired the calmest babies in the world to play the hysterical Thomas. One did finally start to cry but stopped every time Chris [Newman (assistant director)] yelled 'Action'. ... Babies smiled all afternoon. Buddhist babies. They didn't cry once...
I've written a couple screenplays and half-finished plays.
There's nothing more important in making movies than the screenplay.
Press conference [on the movie ] yielded the usual crop of daftness. I've been asked if I related personally to Carrington's tortured relationship with sex and replied that no, not really, I'd had a very pleasant time since I was fifteen. This elicit...
