If I had the opportunity to buy the latest movie that's out that month and watch it on the comfort of my big screen TV, I would pay for that.
Commercials are not the only exposure that obesity gets on TV. It is by no means a rarity on the wonderful Judge Judy's show when both plaintiff and accused all but literally fill the screen.
I'm someone who believes the only way to see a movie is in a big theater, on a big screen, with a big bag of popcorn.
Everything you see on screen is real. By doing what we do, there's naturally going to be a lot of grimacing. And whimpering.
I don't think most books can be justifiably translated on screen. The film versions can't convey the right emotion, fuel your imagination or allow you to visualise every line the way books do.
People... need a time to laugh. It's up to us to bonk ourselves on the head and slip on a banana peel so the average guy can say, 'I may be bad, honey, but I'm not as much of an idiot as that guy on the screen.'
I was so besotted with '8½' that, when it was on TV, I used to take pictures with my 35-mm. camera of the frames of the film. That was the first time I'd ever really seen Italians on screen.
On TV people look at your hair and then they look at your skin, and then they look at your clothes, and by the time they're listening to what you're saying, you're off the screen.
Most performers take themselves too seriously. They forget there is a difference between the characters they play on the screen or stage and themselves, but the public doesn't forget there is a difference. They see how silly it is if you try to be th...
One of the joys of being at St. George is you were operating under the radar screen a lot of the time, and you could actually get on with things a lot more quickly and easily.
People should realize that I shot a Coke commercial back in 1986. So, you know, I've been around a long time. I carry my Screen Actors Guild Card.
I open myself up every time I walk on screen and give you everything that I am. There are parts of me that are in every movie that I've done. That to me is what my job is.
When I started making dances in the '60s, narrative dance was sort of off the radar screen. What was important at the time in the avant-garde was minimalism.
There's no single company in the whole world that has a big-scale production base and at the same time has screening and distribution channels. Wanda Group is the first one in the world.
Frank: I want you to watch the movie screen. There's something I want to show you.
Kim: Edward, I was so afraid. I thought you were dead. Jim: [coming into the screen with a revolver] I didn't.
The Bride: How did you find me? Bill: [off screen] I'm the man.
[running from Randall in the door vault, Sulley and Mike's shadows appear behind a Japanese paper screen] Mike: Come on, it slides, it slides!
Lina: You mean it's going to say on the screen that I don't talk and sing for myself?
[Douglas Quaid seeing his real personality on the screen] Hauser: Now, this is the plan. Get your ass to Mars.
[after Mike appears on the screen] Grandpa Joe: Our little group is getting smaller by the minute.
