People tell me that my appearance in real life is better than on-screen. Perhaps people think I am exactly like the characters I play on TV.
I love jokes that come out of nowhere. The ones where people look at the screen and go, 'What the Hell was that.' As long as it somehow ties back into the story, somehow.
I think the president should be accessible, should answer questions that aren't pre-screened, but I think there should be a little bit of dignity to the presidency.
I even found it difficult to watch myself playing on TV because I couldn't identify with the person on the screen. I couldn't get to grips with it. It was as if it was all happening to someone else.
I discovered Orson Welles in college; my freshman English professor screened 'Citizen Kane' for us, and I wound up writing a 20-page term paper on it.
I'm currently doing Undeclared an American TV show set in a college. It just got aired and got massive ratings so hopefully that'll screen in the UK soon.
I mean, I do believe that when you walk on the stage, or onto the screen, that's your character - not you. So it's an interesting challenge, an interesting line to walk.
The target audience goes back to conception. That means pre-natal care, safe delivery, post-natal screening, and the ordinary stuff you do in pediatrics.
I remember turning 'The Sopranos' on once and within two minutes nearly throwing a brick through the screen.
I think the reason I have secrets is because there are a lot of things I haven't been able to let out, and I'm able to let them out through the screen and this medium.
I now hate actors that blink too much on screen. When people blink, I turn the movie off. So I don't blink at all.
I appreciate the response and the support of fans, of people who actually don't mind watching me on screen... I just don't ever want to jeopardize that.
When you read something in script form, there are some subtleties that stand out with far greater gravitas than sometimes what you see on screen.
When we draw on the tablet, the drawing shows up on the computer screen. If we have chosen to tell the computer that the stylist is to behave like a piece of chalk, or a pen, or a wet brush, it will.
I remember seeing some little wrinkles in my early 30s and thinking they were interesting. But you know the horror of it is that the screen image has to be perfect.
Alone on the terrace looking up at the stars I would not feel lonely. With him glued to the screen, I feel gutted...
Everyone should see Hollywood once, I think, through the eyes of a teenage girl who has just passed a screen test.
I think I might want to get into development, as in developing my own sort of piece, whether it be for the stage or the big screen or for television.
We want to be sensitive to people's concerns about privacy about their personal being and things, while ensuring that everybody on every flight has been properly screened.
When I'm shooting, really the audience I'm thinking the hardest about is that first test screening audience who I want to like the film and that first opening weekend audience.
I have big hands. I can't do the touch-screen thing. I'm a button guy. I want to press buttons.
