It's one thing in this business to actually work. 5 percent of the Screen Actors' Guild works. It's another thing to do work that's satisfying and that people are loving.
I have never done Cult TV before, the convention was good. It gives the fans a chance to meet the celebrities. Connect with the guy that used to be a bunch of coloured dots on your TV screen.
When characters change on screen, it makes you feel better about yourself. You think, 'Oh I change too, I'm constantly becoming a better person.'
My dad used to put me in front of the TV screen and made me watch old Jimmy Durante and Dean Martin movies. I just always loved entertainment.
A solid theatrical education can only improve a screen performance. It gives you a fuller capacity to read a script and understand a character, for one thing. It's important to alternate between the two activities.
When screening engineers from other companies, its smart to value engineers from great companies more than those from mediocre companies.
'The Hollywood Reporter' was always in. You always got great tables. You always got great seats at screenings. You always got treated well if you were at the paper.
I take four planes a week, honestly. You know, I am for intelligence screening.
Everyone, when you're a teenager and you're growing up, you do feel like your life is dramatic enough to be on a TV screen, but we know that it's not.
I like to do on screen what I'm not in life. In life, I'm much more weak and insecure, and so then you know I like to play characters that are stronger than me.
I didn't go to film school so my learning was done out in public and showed up on the screen.
I wasn't able to relate to anyone on TV growing up, so I wanted to bring my own experiences to the screen.
Working on a green screen set, yeah, it's almost like reading from a novel, taking those black words and creating a world around you.
If I don't like seeing myself on the screen, I think when I start seeing that, that's when I think I'll stop.
As touch-screens have become more popular, they have retrained how we interact with images we see on many surfaces.
The standard of writing that I'm getting now from 'Big Finish' compares very favourably with some of the stuff I was doing on screen in the '80s.
Things danced on the screen do not look the way they do on the stage. On the stage, dancing is three-dimensional, but a motion picture is two-dimensional.
We're lucky, real lucky. Our friends lost their house. We just had some burning embers put holes in the screens.
The bottom line is, if somebody doesn't go through proper security screening, they're not going to go on the flight.
With some actors, you can tell when they're acting all by themselves, no matter who else is in the screen.
There is no such thing as a Bollywood hero or Hollywood hero. All you see on the screen is the lead actor's interpretation of the role that has been conceived by the writer.
