The fictional world seems larger, seems to have more dimension and richness when, for example, the protagonist from one novel you've read has a cameo role in another. I think that recognition is a very, very powerful phenomenon; it is one of the deep...
When I was younger, when I was at school, I did read a lot of fiction. I think as you get older perhaps you're interested in essays and biographies and things like that. I think it's just important to just read as much as you can.
For me, any fiction of nobles and swords necessarily has to be a story of corruption, injustice and savagely violent conflict - because any other treatment is going to have all the heft and realistic honesty of a bedtime fairy tale for five year olds...
Seriously, a thirty-something woman shouldn't be daydreaming about a fictional character in a two-hundred-year-old world to the point where it interfered with her very real and much more important life and relationships. Of course she shouldn't.
Language does not always have to wear a tie and lace-up shoes. The object of fiction isn't grammatical correctness but to make the reader welcome and then tell a story … to make him/her forget, whenever possible, that he/she is reading a story at a...
Historical fiction of course is particularly research-heavy. The details of everyday life are there to trip you up. Things that we take for granted, indeed, hardly think about, can lead to tremendous mistakes.
Conversations with a trusted friend pull us into a new point of view as if we are supporting characters in a work of fiction. In both, we spread our stories, ideas and emotions outside of ourselves so we can view them from distinct angles.
In fiction, when you paint yourself into a corner, you can write a pair of suction cups onto the bottoms of your shoes and walk up the wall and out the skylight and see the sun breaking through the clouds. In nonfiction, you don't have that luxury.
Rules such as "Write what you know," and "Show, don't tell," while doubtlessly grounded in good sense, can be ignored with impunity by any novelist nimble enough to get away with it. There is, in fact, only one rule in writing fiction: Whatever works...
My wife is the most savage critic. She doesn't feel intimidated by my reputation. As far as she's concerned, she's just criticising a boyfriend who'd recently had a go at fiction. She can tell me to abandon whole novels.
I have friends who are capable of writing a very rough draft and then going back and embroidering - they're sort of the cathedral builders of fiction. I never really know what I'm doing, and all my pleasure's on the level of the line.
One of the surprising things I hadn't expected when I decided to write crime fiction is how much you are expected to be out in front of the public. Some writers aren't comfortable with that. I don't have a problem with that.
When I moved from Cambridge, I donated all my fiction. I carefully cut out pages the authors had autographed for me. I didn't want those autographed books showing up on eBay.
Furthermore, even if ideas were gettable - say, stacked in a secluded cave like the Dead Sea scrolls - I wouldn't go there. An 'idea,' especially one adhered to from start to finish, can be disastrous for a compelling piece of fiction.
We [-women and men-] are all equal in our creaturehood, whatever our sex, color, age, background, or abilities. But we are all different in the functions we were created to perform, as different as water from stones, and engineering from imaginative ...
I don't think there is such a thing as a bad book for children . . . do not discourage children from reading because you feel they are reading the wrong thing. Fiction you do not like is the gateway drug to other books you may prefer.
You don't need a digital David Petraeus or a President Bush avatar to distract you from the truth. You don't need to wait decades to have disinformation beamed into your head. You just need a constant stream of misleading information, half truths, an...
I try to make the readers feel they've lived the events of the book. Just as you grieve if a friend is killed, you should grieve if a fictional character is killed. You should care. If somebody dies and you just go get more popcorn, it's a superficia...
There's something peculiar about writing fiction. It requires an interesting balance between seeing the world as a child and having the wisdom of a middle-aged person. The further you get from childhood and the experience of the teenage years, the gr...
People seem to read so much more nonfiction than fiction, and so it always gives me great pleasure to introduce a friend or family member to a novel I believe they'll cherish but might not otherwise have thought to pick up and read.
Respect can be as elusive as the unicorn. I know something of this because I write books that are set in the Middle Ages, and the historical novel is often seen as the unwanted stepchild in the fictional family. I know even more about respect - or th...
