When I write, what I long for is not more realism or fiction but more courage. That's what I always find myself short on and what I have to struggle to achieve in order that the work might live.
I tend to write longer narrative pieces after I've finished writing a novel - when the fiction's finished and put away, and I have a chance to take all the ideas that are buried inside of my novels and work with them directly.
I like animal sidekicks. They seem to be a pretty cool trope of post-apocalyptic fiction - just because if you're going to have this lone protagonist, they're going to need someone to talk to. Dogs are overused, and cats are dumb. So that leaves monk...
The British and American literary worlds operate in an odd kind of symbiosis: our critics think our contemporary novelists are not the stuff of greatness whereas certain contemporary Americans indubitably are. Their critics often advance the exact op...
Concentrate your narrative energy on the point of change. This is especially important for historical fiction. When your character is new to a place, or things alter around them, that's the point to step back and fill in the details of their world.
I do believe that sci-fi or historical fiction finds an easy home in comics because there are no budget constraints in regards to the necessary world-building or visual effects necessary to bring those stories to life in other mediums.
Expand the definition of 'reading' to include non-fiction, humor, graphic novels, magazines, action adventure, and, yes, even websites. It's the pleasure of reading that counts; the focus will naturally broaden. A boy won't read shark books forever.
History is the history of human behavior, and human behavior is the raw material of fiction. Most people recognize that novelists do research to get the facts right - how a glove factory works, for example, or how courtesans in imperial Japan dressed...
I've seen a lot of the United States, having stayed in so many different cities and towns for work. It's such a strange and fascinating country, and instead of learning about it through a textbook, I would rather discover its history and traditions a...
I wanted to be a poet when I was 20; I had no interest in fiction or biography and precious little interest in history, but those three elements in my life have become the most important.
Barack Obama is an elegant and literate man with a cosmopolitan sense of the world. He is widely read in philosophy, literature, and history - as befits a former law professor - and he has shown time and again a surprising interest in contemporary fi...
I will never be one of the happy stupid that were born somewhere. This way of life is excellent for the imagination. It develops your paranoia. You feel paranoid when you don't understand a country, and being paranoiac is excellent for fiction.
I ask questions. I watch the world. And what I have discovered is that the parts of my fiction that people most tell me are 'unbelievable' are those that are most closely based on the real, those least diluted by my imagination.
I know how fiction matters to me, because if I want to express myself, I have to make up a story. Some people call it imagination. To me, it's not imagination. It's just a way of watching.
I know that for every reader who has lost the habit or can't find the time, there are people who've never enjoyed reading and question the value of literature, either as entertainment or education, or believe that a love of books, and of fiction in p...
I had passed through the entire British education system studying literature, culminating in three years of reading English at Oxford, and they'd never told me about something as basic as the importance of point of view in fiction!
This is my one beef with Hollywood: It's great for movie sales, but they've created this fiction for us that, when you have a hard thing in your life, it's going to get fixed, and then your life will be awesome! Forever!
People really want to believe that there is no fiction. I think they find it much easier to imagine that novelists are writing memoirs, writing about their lives, because it's difficult to conceive that there's a great imaginary life in which you can...
Even though my songs may sound very personal, to me most of them are fiction. It is a great way for me to be able to live a fantasy life as a writer because I get to be someone else, someplace else for three and a half minutes, just like the listener...
There is sometimes a feeling in crime fiction that good writing gets in the way of story. I have never felt that way. All you have is language. Why write beneath yourself? It's an act of respect for the reader as much as yourself.
Everything I've made - it doesn't mean they've all been good - but everything I've made so far, big or little, fiction or documentary, has been something that I've been really enthusiastic about.
